The unkindest Kind
Madison Schindele on loving Die Frau ohne Schatten as a “woman of childbearing age”
Julius Korngold
5 pieces since 2015.
5
pieces
12
years
Not a Marietta
We are a nostalgic sort, we opera lovers. Fortunately, Korngold’s Die tote Stadt, which arrived in concert form to Boston’s Symphony Hall last weekend, is all about nostalgia.
Touch me in the mourning
“How far should we give way to grief? How far dare we, without disaster?”
‘Wunder’ of wonders
Opera Vlaanderen opened its 2017-18 season with a rare staging of Korngold’s Das Wunder der Heliane.
Between two worlds
If works like Salome and Erwartung defined modernism in the first decades of the 20th century, Die Tote Stadt and Palestrina represented the regressive avant garde.