A pair of Otellos – in Madrid and Parma – is a study in contrasts.
Final opera of the season. Little-known opera. A revival. So, you can probably skip it, right?
The Canadian Opera Company’s new production of Otello is a collection of welcome returns.
Christopher Alden‘s production of Handel’s Partenope is so erudite and theatrically audacious and also such a rollicking ride, it’s hard to believe it isn’t crap.
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