The Berlin stories The Berlin stories

Madison Schindele surveys the endlessly diverse offerings of Berlin’s 2026-27 opera season.

They do the sand dance, don’t you know? They do the sand dance, don’t you know?

Akhnaten has lost none of its power or glitz at the Los Angeles Opera.

I’m getting married in the morning I’m getting married in the morning

Washington National Opera presented a well-sung and humorous Marriage of Figaro, buoyed by clever direction and a strong cast, particularly Rosa Feola’s Countess and Joélle Harvey’s Susanna.

Now you Caesar, now you don’t Now you Caesar, now you don’t

Before stopping at Carnegie Hall this weekend, The English Concert returned to the Bay Area last week with a fiery performance of Giulio Cesare

Acting is rè acting Acting is rè acting

Boston Lyric Opera’s shows, of late, are often going to war with their texts.

Direct-to-video Direct-to-video

As a burgeoning opera fan, I relied on YouTube to connect me with the art form.

Women of the <em>Hours</em> Women of the <em>Hours</em>

In its first go-around in November 2022, Kevin Puts’s The Hours (libretto by Greg Pierce based on the novel by Michael Cunningham and the screenplay for the Stephen Daldry’s 2002 film was a box office bullseye for the Metropolitan Opera.

Prick and choose Prick and choose

Heartbeat Opera knows how to party.

Preaching to the choir Preaching to the choir

Unfortunately, LOC’s Proximity works only fitfully. 

Purcell takes the stage Purcell takes the stage

On Saturday at Alice Tully Hall, Julliard 415, the school’s top-flight period-instrument ensemble, was joined by students from the Marcus Institute for Vocal Arts and Juilliard Drama for a rare semi-staging of King Arthur.

Unhappy ‘Hours’ Unhappy ‘Hours’

The film of The Hours failed to effectively weave together the novel’s trio of threads of interiority about suicide and secondarily literary creation. I wondered if an opera would stand a better chance at achieving that?  Based on Tuesday’s diva-encrusted stage premiere of Kevin Puts and Greg Pierce’s The Hours, its creators didn’t pull it off either.

Raising genius Raising genius

A special program note for Saturday night’s performance of Matthew Aucoin’s new opera Eurydice pointed to a rare convergence of three MacArthur Grant fellows in its creation and staging.

Journey to Italy Journey to Italy

Since its founding 20 years ago, Washington, DC-based Opera Lafayette has devoted its considerable imagination and energy to reviving lesser-known 17th and 18th century French operas.

Get happy Get happy

Lincoln Center hosted two milestones this week.