Act of contrition
The 25th anniversary revival of Dead Man Walking at San Francisco Opera is most moving in its quietest moments
69 pieces since 2009 — in 21 roles, at 16 companies, most often at Metropolitan Opera.
7 pieces as San Francisco Opera — stats above show all coverage for Jamie Barton.
View allThe 25th anniversary revival of Dead Man Walking at San Francisco Opera is most moving in its quietest moments
Pride weekend events at San Francisco Opera and Festival Opera are fabulous starts to the Bay Area summer
“Who knows what evil lurks in the hearts of men?” went the introduction to the 1940s radio program The Shadow, an apt description for the San Francisco Opera’s production of Rusalka.
Lightning struck again here when, after a wait of 39 years, San Francisco Opera unveiled a new production of Donizetti’s Roberto Devereux.
As Brünnhilde invokes the gods of an empty Valhalla for one last time and strides confidently into a wall of flame, we pause for a moment, unsure of what will follow.
I would love to contribute a top ten list but I didn’t even go to ten things this year.
Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.
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