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When was the last time the Metropolitan Opera mounted a new production that was musically outstanding yet the direction and/or design mostly sucked?
69 pieces since 2009 — in 21 roles, at 16 companies, most often at Metropolitan Opera.
3 pieces as Eboli — stats above show all coverage for Jamie Barton.
View allWhen was the last time the Metropolitan Opera mounted a new production that was musically outstanding yet the direction and/or design mostly sucked?
A regular day in 2018 Washington, D.C., or Verdi’s Don Carlo?
>Verdi’s marvelous yet neglected Luisa Miller finally returns to the Met later this month after an absence of a dozen years so “Trove Thursday” provides a preview.
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