On this day in 1977 Alban Berg‘s Lulu premiered at the Metropolitan Opera in the as-yet incomplete two act version.
A Met HD cinema broadcast of Puccini’s Tosca on Saturday, 27 January, concluded the first run of a production marked by upheaval in the ten months between its announcement and its New Year’s Eve premiere.
Der Rosenkavalier (on Blu-ray and DVD) is from the Met HD broadcast which also happened to be the final performance of the run, becoming a true souvenir of the farewells of its two leading ladies.
Usually the longer I know a work the more I look forward to rediscovering it, but that’s just not the case with the Verdi Requiem.
In Schikaneder’s patriarchal cosmology, darkness is the province of emotional women—not just the erratic fury of the Queen of the Night, but the pathetic supplications of Pamina as well.
“Trove Thursday” celebrates the thrilling Finnish soprano Karita Matilla in the ultimate diva role.
A poster outside Carnegie Hall proclaimed “Mahler Well Met” and to some degree it proved to be true.
A live Un Ballo in Maschera featuring Jon Vickers, Amy Shuard, Lucia Popp, Shirley Verrett and Peter Glossop.
If everything you see is great, you are either new to opera or chronically easy to please.
Anticipation of events like the Metropolitan Opera’s 50th Anniversary bash turns me back into the newly opera-soused kid who begged his parents to let him watch the highlights of the Bing Gala on the family color television.
Lakmé, stars Ruth Welting, Alfredo Kraus, and Paul Plishka, conducted by Nicola Rescigno.
Any production of Der Rosenkavalier that can transform the usually excruciating first half of the third act into a hilarious romp already has my vote.
Our selected Rosenkavalier video overview closes out the 20th-century selections, crosses the millennial mark, and includes the first of our performances to depart from the opera’s prescribed 18th-century setting.
This Met’s second production of Berg’s 1935 opera was the hot topic of November 2015.
Blood-and-guts singing is the reason to see Nabucco at the Metropolitan Opera this season.
Miss Battle was greeted with a thunderous ovation befitting a beloved singer at the end of an illustrious career.
Sony Classical has now released “Leontyne Price Prima Donna Assoluta” containing nearly her entire operatic oeuvre in a box set.
Jean-Pierre Ponnelle’s production of L’Italiana in Algeri for the Met remains steadfastly ignorant of postcolonial theory.
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
This Sunday marks the 10th anniversary of the death of Lorraine Hunt Lieberson from breast cancer.
If you’ve been following the coverage of the Nézet-Séguin succession, you will note that a good deal of the coverage centers on whether the incoming maestro will “champion” this composer or that.
When Neil Shicoff celebrated the 40th anniversary of his 1975 stage debut as Ernani in Cincinnati, no one had any idea that it would, essentially, mark the end of his career. In 2014 he added the roles of Canio (at Wiener Staatsoper) and Calaf (at Volksoper Wien) to his repertoire to great acclaim.
I can scarcely remember a performance where so many conflicting thoughts raced through my mind as happened Thursday night during the Met Orchestra’s “bleeding chunks” of Wagner’s Ring at Carnegie Hall.
Fosca, finalmente mia!
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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