Wagner month at Parterre Box concludes in grand and explosive style: octogenarian Hanna Schwarz and sexagenarian Karita Mattila in crucial moments from Das Rheingold and Lohengrin.
Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’
BAM is back!
Welcome, beloveds, to the Jessye Norman Memorial Museum. I’ll be the docent for your tour today.
A broadcast of Weill and Brecht’s pungent Die Dreigroschenoper
Later this month Asmik Grigorian will star in Covent Garden’s new Jenufa, which Trove Thursday anticipates presenting the acclaimed Lithuanian soprano in a broadcast from 2014 of Tchaikovsky’s rare opera The Enchantress (Charodeyka).
No other singer of Die Amme approaches the towering standard set by the German mezzo Tanja Ariane Baumgartner.
Why do we go to the opera? Because the world needs a reminder of the power of forgiveness, particularly in these dark and gloomy times!
The centerpiece of Janácek’s Jenufa was the performance of Karita Mattila as the murderous Kostelnicka.
“Never in my life having enjoyed the true happiness of love I shall erect a memorial to this loveliest of all dreams…”
Enthusiasts of Janácek’s opera will want to pick up this video immediately.
“I just saw a woman upstairs,” said poet/translator Richard Howard, “wearing a very large pair of sunglasses that made her look for all the world like a great dragonfly.” “Upstairs” was the balcony at the Met; at the time, I was taking Howard’s lecture on the subject of frivolity in literature, and so when I…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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