Our selected Rosenkavalier video overview closes out the 20th-century selections, crosses the millennial mark, and includes the first of our performances to depart from the opera’s prescribed 18th-century setting.
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
For better or worse, Decca’s new Norma recording
will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal.
Here goes with the End of the Gods and the End of these Ring reviews: Götterdämmerung was more of a mixed bag than the other operas, but still left a powerful impression. This was where Zambello’s choice to steer clear of heavy spectacle was most evident to me. The cost in grandeur was offset by…
Our Own Gualtier Maldè reports: The Met’s orchestra and audience have found a new conductor to love: Daniel Barenboim.  The debutante conductor got a huge ovation before he even lifted his baton. Lots of applause for Danny B. all night from an adoring audience including a generous amount at his final bow. There was lots of touchy feely…
Too late, I’m afraid, for a holiday gift, but what looks to be the must-have CD of the season has just become available. It’s a “new” Elektra, — actually a release of a live 1990 performance with the Valhalla-level pairing of Dame Gwyneth Jones and Leonie Rysanek as daughter and mother. (This is of course…
The only thing better than knowing that a singer has had the greatest Sternstunde of her career is having that performance documented. Montserrat Caballe‘s Norma at Orange, for example, which is one of truly must-have DVDs for any true opera fanatic. Now, Dame Gwyneth Jones has had many great nights in her amazing career, but…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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