A favorite Wagner performance from CKurwenal
Dame Gwyneth Jones as Brünnhilde pretty much started it all for me.
32 pieces since 2005 — in 8 roles, at 7 companies, most often at Paris Opera.
Dame Gwyneth Jones as Brünnhilde pretty much started it all for me.
“Trove Thursday” remembers the company’s very first Lady Macbeth via Leonie Rysanek’s NYC debut in a concert performance of Verdi’s Shakespeare masterpiece less than a year before her first Met appearance.
Christian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.
Tuesday the Met unveils its sixth new production of La Traviata since moving to Lincoln Center.
Too late, I’m afraid, for a holiday gift, but what looks to be the must-have CD of the season has just become available. It’s a “new” Elektra, — actually a release of a live 1990 performance with the Valhalla-level pairing of Dame Gwyneth Jones and Leonie Rysanek as daughter and mother. (This is of course […]
Tannhäuser pales beside the other great Wagnerian operas in the degree to which it has innovated the Regisseur’s vocabulary for set design and dramaturgy.
The only thing better than knowing that a singer has had the greatest Sternstunde of her career is having that performance documented. Montserrat Caballe‘s Norma at Orange, for example, which is one of truly must-have DVDs for any true opera fanatic. Now, Dame Gwyneth Jones has had many great nights in her amazing career, but […]
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
Eli Jacobson inaugurates parterre box’s new “Perspectives on the Aria” feature with a deep dive into Leonore’s “Abscheulicher!” from Beethoven’s Fidelio which returns to the Metropolitan Opera tomorrow with the Met’s current dramatic soprano star Lise Davidsen as Leonore.
Der Rosenkavalier is a three-hour meditation on nostalgia. What could be better to bathe in?
Trove Thursday acknowledges the late Raymond Leppard‘s important influence with a live broadcast of his seminal “realisation” of Cavalli’s L’Ormindo plus some Cavalli and Monteverdi tidbits with Janet Baker.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.