To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of “Signore, ascolta!” for Perspectives on an Aria.
After a century of searching, the world has perhaps finally found a definitive Magda in ethereal soprano Ailyn Pérez.
Puccini’s schmaltziest, most melodic, most dramatically limp, most cynical, most obscure mature work
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