Pretty poison
The wicked poisoner showed herself in fine form, full of purple passion and lusty music-making that would gladden the heart of any bel canto enthusiast or opera lover in general.
10 pieces since 2007.
The wicked poisoner showed herself in fine form, full of purple passion and lusty music-making that would gladden the heart of any bel canto enthusiast or opera lover in general.
On this day in 1918 the Metropolitan Opera presented a new production of Bellini’s I puritani featuring soprano Maria Barrientos.
When I saw that Richard Bonynge AC CBE, conductor and musicologist supreme, had authored a book titled Chalet Monet about the home he shared with his wife, La Dame Joan Sutherland OM AC DBE, in Les Avants, Switzerland I practically had to wipe my chin.
A recent discussion here about Gianna Rolandi prompts Trove Thursday to present the American soprano in a rare trouser role in an even rarer opera, Cimarosa’s Gli Orazi e I Curiazi paired with Anna Caterina Antonacci.
“Trove Thursday” goes modest with Donizetti’s domestic comedy Don Pasquale featuring Ileana Cotrubas, Alfredo Kraus, Vicente Sardinero and Wladimiro Ganzarolli.
Once upon a time, a man and a woman met. He could sing, she could sing. They fell in love, got married, and became a power couple to rival Billary.
Perhaps there are not that many people in the world who would look at a CD cover and think “Oh, goody, goody! A libretto by Eugène Scribe I’ve never come across before!”
Apparently, we learn very little in life; the follies we pursue with haste in youth are answered by the follies we commit in age with great deliberation.
Very few things intrigue me as much as analyzing belcanto operas, comparing their several versions and examining the composers’ second thoughts, modifications and revisions that, willingly or unwillingly, they made to their scores. I was already salivating when I heard that the Teatro Comunale di Bologna was going to perform Vincenzo Bellini’s I Puritani in […]
Introducting a new guest critic, Giulia Grisi, who blogs regularly for “Il Corriere della Grisi.” La Scala’s 2007-8 opera season opened last night (December 7) with a new production of Tristan und Isolde. The Milanese theatre hadn’t presented Wagner’s masterpiece since 1978, when Carlos Kleiber‘s masterful interpretation became an instant classic, in spite of a […]
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