15 pieces since 2007 — at 1 company, most often at Opéra national de Paris.
People these days often exclaim “…..is everything!” but often it feels like gross hyperbole. But surely anyone who has seen Mark Morris’s L’Allegro, il Penseroso ed il Moderato since it premiered in 1989 would agree that it is indeed everything!
Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in America provides ample fodder for the legions of amateur opera sleuths seeking to confirm their theory of “Who Killed City Opera?”
Beginning with the dark, ominous music of the prelude of Charles Wuorinen and Annie Proulx’s opera Brokeback Mountain, we know we are in for a very different and far less sentimental version of the work than was had with Ang Lee’s iconic 2005 film.
Impresario Gerard Mortier died earlier today of pancreatic cancer. He was 70.
Philip Glass’s 25th opera The Perfect American was originally commissioned for New York City Opera during the aborted regime of Gerard Mortier.
Twenty years ago, a sad and lonely gay man sat down with a pair of scissors and a glue stick and said, “I think I’ll make a magazine.”
Lincoln Center hosted two milestones this week.
After 23 years, the Queen of Carthage has finally made it to Manhattan.
If the Arthaus Musik release of Le nozze di Figaro from La Scala feels like a slouchy revival pulled haphazardly from the video vault, the singers are certainly not at fault. Ildebrando D’Arcangelo and Diana Damrau, starring as Figaro and Susanna, are bankable stars who live up to the hype. At the podium, Gérard Korsten […]
A member of the cher public who attended last night’s premiere of Verdi’s Macbeth at the Opéra national de Paris filed this report: It was Paris Opera GM Gerard Mortier‘s penultimate opportunity – his term ends in July –  to moon opening night Parisian audiences and he did just that. He flew in bad-boy director […]
The people have spoken, and so from henceforth George Steel will be known by his, whatchamacallit, you know, his sobriquet, which (per your decree) is “The Man of Steel.” La Cieca thought she should review at least a couple of the biggest challenges facing The Man of Steel as he and the NYCO begin a restoration project […]
So, this is what La Cieca gathers in the way of hearsay and rumor about the “future” of the New York City Opera. According to an NYCO insider, in the wake of La Cieca’s speculation that Gérard Mortier might not be taking on the NYCO job after all, “total chaos ensued,” spurring an emergency meeting […]
In what is becoming the New York City Opera’s only conduit of information to the public, a Friday afternoon news dump reveals that the company has laid off 11 members of its administrative staff. The layoffs are “because of financial pressures and a lack of work caused by the cancellation of most of its season.” […]
La Cieca thanks a particularly loyal member of the cher public for pointing out the most recent bit of hard-hitting arts coverage in the Wall Street Journal, as copied and pasted by that hardest of all arts hitters, Terry Teachout. La Cieca says “copied and pasted” because in this piece Teachout manages to blather on […]
UPDATE: La Cieca has just heard that the “dark season” is not a done deal just yet. The NYCO board meets next week to make that decision. (Given how late in the game this is, most likely the “decision” will be no more than a formality. But La Cieca will keep her ear to the […]
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
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