Maria Agresta‘s delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.
“Trove Thursday” presents Don Procopio, an early two-act confection in Italian featuring an all-star French (and Belgian) cast.
It took me years to appreciate the serious Donizetti, but I’ve always loved the composer’s comic operas, particularly Don Pasquale and Elisir.
To celebrate the 86th anniversary of her birth (25 May 1929), I bring to a close Beverly Sills’ traversal of the Donizetti “Tudor Queens” with this live Anna Bolena from 1973.
Having heard a bit of the opening night broadcast and read some decidedly mixed reviews, I was totally unprepared for the remarkable performance of Donizetti’s Anna Bolena that I attended on December 15 at Chicago Lyric Opera.
I just arrived back from Stella di Napoli’s.
Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing.
Two operas both alike in dignity, set in dimly lit Renaissance towns ruled by seething, conspiratorial courts.
Lawrence Brownlee’s new album Virtuoso Rossini Arias demonstrate both how far the tenore di grazia has come in the operatic world.
I think we’re all aware by now of the wicked libel that the French dramatist Victor Hugo concocted about the fair Lucrezia Borgia with his depiction of her as a murderous virago.
An impresario with a hit on his hands—Emanuel Schikaneder, for instance, after the initial run of Die Zauberflöte—will crave nothing so much as an opportunity to hit the same bell.
the strip on my first and, so far at least, only visit to Las Vegas a few years ago, I noticed what to me was a most unexpected sight and startled my companions by pointing out the window and shouting “Auber!”
The big news from Bel Canto at Caramoor’s presentation of Les Vêpres Siciliennes last Saturday is far from unexpected.
Giovanni Battista Pergolesi’s only opera for Rome was written to an existing libretto by the great Pietro Metastasio, L’Olimpiade, which had already been set by Vivaldi the year previously.
At the age of thirty, Donizetti was already the experienced composer of about eighteen operas, both serious and farcical, but as Olivo e Pasquale (currently undergoing its American premiere run at Amore Opera) makes clear, the comic works were no slight matter.
Beethoven expressed it best when he reportedly threw Rossini shade: “Any other other style than opera buffa would do violence to your nature.”
Apparently, we learn very little in life; the follies we pursue with haste in youth are answered by the follies we commit in age with great deliberation.
I’ve been a big fan of Donizetti’s Anna Bolena since I first heard it on recording and have always felt that it deserved a definitive recorded performance. Here’s a brief tour of why this hasn’t happened. There’s the Bible, also known as the live Scala relay with Callas and Simionato and musical cuts so egregious…
Giovanni Simone Mayr was one of the most important musical figures of his day, a man Rossini referred to as the “father of Italian opera” whom Napoleon personally lobbied to come work in Paris. Though he wrote nearly 70 operas and taught Donizetti and Bellini, the Bavarian-born composer had the misfortune of hitting his peak…
Today is the dress rehearsal/preview of Anna Bolena at the Met, and naturally La Cieca has infiltrated the event with a veritable phalanx of spies. After the jump: all your latest Anna Netrebko related news.
Sir Arthur Sullivan, the son of an Irish father and an Italian mother, studied Mendelssohn’s composition style in Leipzig. He was therefore, inevitably, the supreme English theater composer of his day, and his often Mozartean style of melody is not out of place in a bel canto festival. After all, in the fourteen operettas he…
What do opera composers do on vacation? If the researches behind this performance at the Rossini in Wildbad Festival are correct, they gather their nearest and dearest and dash them off a quickie opera for performance en famille. That, in any case, is what Giovanni Pacini did during down-time between presenting seventy-odd operas to the…
“I must say choosing from among these finalists is almost impossible, as there are bits and pieces from each one I like and admire the thought process and the experience each one highlights for us. For me they are all intelligent and quite wonderful— skewed perhaps by their times and what is and is not…
Very few things intrigue me as much as analyzing belcanto operas, comparing their several versions and examining the composers’ second thoughts, modifications and revisions that, willingly or unwillingly, they made to their scores. I was already salivating when I heard that the Teatro Comunale di Bologna was going to perform Vincenzo Bellini’s I Puritani in…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.