Bottle baby
It took me years to appreciate the serious Donizetti, but I’ve always loved the composer’s comic operas, particularly Don Pasquale and Elisir.

Carreras finally did record Elisir for Philips in 1984 but by then his steady diet of heavy dramatic roles had taken its toll on his golden tenor voice. This earlier Nemorino, however, still shows him in his prime.
It took me years to appreciate the serious Donizetti, but I’ve always loved the composer’s comic operas, particularly Don Pasquale and Elisir. And a favorite of mine is the Romanian soprano Ileana Cotrubas who collaborated often with Carreras in La Traviata, La Bohème, and Carmen, in addition to this delightful Elisir.
Donizetti: L’elisir d’amore
Royal Opera, Covent Garden
27 December 1976
In-house recording
Ileana Cotrubas — Adina
Lillian Watson — Giannetta
Jose Carreras — Nemorino
Ingvar Wixell — Belcore
Geraint Evans — Dulcamara
Sir John Pritchard — conductor
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Christopher Corwin
Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.
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Topics: trove thursday
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People: Gaetano Donizetti, Geraint Evans, Ileana Cotrubas, Ingvar Wixell, John Pritchard, José Carreras, Plácido Domingo
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Works: Carmen, Don Pasquale, L'elisir d'amore, La bohème, La traviata
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Places & Organizations: Royal Ballet and Opera