This is a gala day for you
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
12 pieces since 2011 — in 5 roles, at 5 companies, most often at Glyndebourne Festival Opera.
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
It took me years to appreciate the serious Donizetti, but I’ve always loved the composer’s comic operas, particularly Don Pasquale and Elisir.
Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.
It’s kind of shocking, when you really think about it, that the kind of international operatic model that the Royal Opera now operates on barely existed only 50 years ago. Until around 1960 most of the performances at the Covent Garden were given in English and the casting choices were enough to make the Vicar […]
It was love at first hearing. The music was glorious, the conducting bouncy and pointed, and the singers sure sounded terrific to me.
Falstaff, Verdi’s totally unexpected, final, great comedic roar.
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