Though, really, the young artists of the Merola Opera Program were more than alright in their annual showcase.
Erin Morley, Lawrence Brownlee, and Malcolm Martineau put on a jolly good show at the 92nd Street Y.
Two recent Paminas feature in concerts at Lincoln Center and Carnegie Hall.
Chris’s Cache offers Nadine Sierra and Xabier Anduaga, the stars of the upcoming production of La sonnambula, in a performance of another favorite bel canto opera
A North American debut of a respectable French Baroque ensemble, an ebullient presentation of La fille du régiment, and an afternoon soiree in Wine Country proved to be the hottest (yet affordable!) tickets around here this Summer.
Ahead of her return to the Met, soprano Corinne Winters chats with Kevin Ng about her repertoire, overcoming biases about her voice type, and how she plans to play “energetic, young women” as long as she can.
It may be blasphemy to admit—particularly this month—but usually I can either take or leave Donizetti’s serious operas. However, I love the composer in comic mode, so Chris’s Cache runs with that sentiment in offering three recordings of Don Pasquale.
In 1972, when I was 12 years old, my mother took me to the Salzburg Festival.
The New York Gilbert and Sullivan Players are celebrating their 50th Anniversary Season presenting Ruddigore (last month), The Pirates of Penzance (first two weekends in January), and Iolanthe (on its way in April).
Double double, toil and trouble, y’all, and happy spooky season from Slaylem. (It’s like Salem, but fun.)
Only by knowing what went on around the great composers is it possible to truly understand why they are great and why their operas have come down to us (and why dozens of other titles have been left behind).
Perhaps the greatest souvenir of her art there is.
Anna Bolena might be the earliest of Donizetti’s operas that might have name recognition to a non-specialist audience.
This Sunday marked a muted return of the Richard Tucker Foundation Gala, which had the dubious distinction of the fourth edition not to feature a prizewinner and perhaps the first not to provide complete orchestral and choral accompaniment for its performers.
Teatro Nuovo took a spirited journey of rediscovery into the valley of forgotten operas and resurrected Federico and Luigi Ricci’s 1850 opera buffa Crispino e la Comare last Thursday at the Rose Theater at Jazz at Lincoln Center.
From Christian martyrs to naughty fairies, Teatro Nuovo will explore the tragic and comic sides of 19th century Italian Opera.
Updating opera settings is, of course, expected; I’d wager in most houses more often than not it’s now the norm. Still, few in my experience have the specificity and local immediacy of Don Pasquale at the Academy of Vocal Arts.
When I saw that Richard Bonynge AC CBE, conductor and musicologist supreme, had authored a book titled Chalet Monet about the home he shared with his wife, La Dame Joan Sutherland OM AC DBE, in Les Avants, Switzerland I practically had to wipe my chin.
On paper, the Met’s revival of L’elisir d’amore looked like a lovely evening. And at times it was—a few scenes hinted at what it could be and what it might yet become.
Soprano Lydia Grindatto confirmed the fine impression she had made at Giargiari vocal competition with a charismatic, thoroughly inhabited performance that showed careful preparation in every aspect.
These are my findings and opinions (and I welcome rebuttals)!
It is perhaps a misperception to suggest that Die Schweigsame Frau is stronger in the uncut version.
Eleanora Buratto at this fully matured point of her career has a warm, creamy full lyric soprano that has the roundness and sweet warmth of a Freni but can also expand into the spinto power of a Tebaldi.
With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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