79 pieces since 2006.
Packaged with a peek-a-boo cover exposing only Bryn Terfel’s lovely left eye (the effect of turning the page to reveal the Welsh bass-baritone’s head in its entirety brings to mind this Encyclopedia Dramatica entry) and an oddly hip-hop-flavored gray-on-black treatment of the album’s title, Terfel’s Bad Boys seems designed for those who like their divos […]
Today, in 1848, one of the titans of Italian opera, Gaetano Donizetti, passed away in his native Bergamo at age 51. It would be perhaps more appropriate to say that his body died on this date, as his mind, ravaged by syphilis, had already abandoned him a few years earlier, so much that he had […]
Leyla Gencer: The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas, Renata Tebaldi, Renata Scotto, Montserrat Caballe, and Magda Olivero, all of whom shared roles in her repertoire. Ironically, Gencer has a number of important credits attached […]
[This article originally appeared in the print zine precursor to this site, one of a series of surveys of live recordings by critic Leila de Lakmé.] Leyla Gencer. The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas, […]
La Cieca offers her own personal salute to a very special holiday with an edition of Unnatural Acts of Opera featuring Donizetti’s Lucrezia Borgia. In this legendary April 20, 1965 performance, the eponymous antiheroine is Montserrat Caballé. Lucrezia Borgia (Prologue)
Guest critic Niel Rishoi reviews the VAI DVD release of Lucia di Lammermoor. OK, this is IT. Barring the cuts, this is the Lucia of Gaetano Donizetti. Not that misguided travesty at the Met, not Natalie Dessay‘s vocally juddery overwoughtness. No schtick, no Carol Burnetting around. Just Donizetti and Cammarano’s Romantic drama, pure and simple. […]
It looks like La Cieca spoke too soon. Dr. Jonathan Miller‘s 2004 announcement of his farewell to opera direction has turned out to be, like so much the good doctor says, a load of bullshit. “England is obsessed with the cutting edge, the new thing, and if you’re as old as I am, you’re assumed […]
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