It takes a woman
The plight of two women, each from different backgrounds, was on full display in San Francisco opera houses last week.
65 pieces since 2005 — at 11 companies, most often at Washington National Opera.
8 pieces as San Francisco Opera — stats above show all coverage for Francesca Zambello.
View allThe plight of two women, each from different backgrounds, was on full display in San Francisco opera houses last week.
“Tame” seemed to be the appropriate adjective to describe San Francisco Opera’s Carmen.
As Brünnhilde invokes the gods of an empty Valhalla for one last time and strides confidently into a wall of flame, we pause for a moment, unsure of what will follow.
Siegfried is, in a sense, The Ring’s odd one out.
It is a good rule of thumb that if you emerge from a massive grand opera like Aida feeling any less than overwhelmed, you have a right to be somewhat disappointed.
Gala this; gala that; who knew rich people wore clothes so badly?
You might be surprised, though, when that title turns out to be Show Boat.
Three blocks from the opera house is a terrible time to realize there was homework.
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