Prophète bien aimé Prophète bien aimé

New Amsterdam Opera specializes in American singers whose abilities are as yet little known.

Dames Dames

A double-barreled “Trove Thursday” birthday salute to Renée Fleming who turns 60 today.

The good shepherd The good shepherd

L’Arlesiana in a vibrant live performance from a dozen years ago with Giuseppe Filianoti, Latonia Moore and Marianne Cornetti.

Double cross Double cross

“Trove Thursday” offers due local Lombardi: one with Renata Scotto and José Carreras, the other with Aprile Millo and Carlo Bergonzi.

Too cloistered for comfort Too cloistered for comfort

New Amsterdam Opera’s concert version of Donizetti’s elaborate score La favorita, offered energy, panache and several top-notch young soloists.

Bell de jour Bell de jour

Next week the Italian soprano Mariella Devia celebrates her 70th birthday so “Trove Thursday” salutes her with one of her earliest New York successes: Delibes’s Lakmé 

“The most significant dramatic creation since Les Huguenots” “The most significant dramatic creation since Les Huguenots”

Awaiting the return of Parsifal to the Met, “Trove Thursday” hops to the other end of Wagner’s oeuvre with a recent Rienzi der letzte der Tribunen.

Abendstern Abendstern

“Trove Thursday” celebrates the thrilling Finnish soprano Karita Matilla in the ultimate diva role.

From Hell From Hell

In March 1973, OONY’s second season featured Francesca da Rimini starring Raina Kabaivanska, Plácido Domingo and Matteo Manuguerra.

“Troppo” notte “Troppo” notte

Thanks to the generosity of a parterre reader, “Trove Thursday” presents a rare recording from the famed Carnegie Hall series curated by Matthew Epstein to commemorate Handel’s tercentenary.

All about my mother All about my mother

On her 90th birthday “Trove Thursday” presents the late great Belgian mezzo Rita Gorr parenting Régine Crespin in Massenet’s Hérodiade.

Wan lake Wan lake

The sound of Joyce DiDonato, Lawrence Brownlee and John Osborn nailing La Donna del Lago’s thrilling second-act trio alone made worthwhile enduring one of the ugliest, most bone-headed productions seen at the Metropolitan Opera in many a year.

Ne plus ultra Ne plus ultra

When LaCieca asked me to choose my favorite live recording, I had to think… and think.

An old-fashioned wedding An old-fashioned wedding

Jungfer Marianne Leitmetzerin notes: while this performance of Janácek’s Jenufafeatures the same three principal singers from the legendary Carnegie Hall concert of 1988, the fact that it is a staged performance raises the temperature even higher.

Victorious, happy and glorious Victorious, happy and glorious

Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim.

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly…

Gold digger of 2011

It seems a thing incredible but fifty years ago Richard Strauss was regarded as the wunderkind composer of a few tone poems, three notable operas (all produced before the First World War) and then nothing notable during forty years of repetitious senility. Even Ariadne auf Naxos, today one of the most popular works in the…

A tale of two Alagnas

In 1890 Cavalleria rusticana had taken the whole world by storm and in the next decade or so, hordes of composers, willing or unwillingly, jumped on the Verismo bandwagon.  La navarraise (1894) is generally considered Jules Massenet’s homage to the genre, and for a long time the two works were often performed together.   Emma Calvé,…

chi mai?

This month Deutsche Grammophon will scrape the bottom of the barrel and present a new recording of Leoncavallo’s genre-bending “symphonic poem for tenor and orchestra”  La Nuit de Mai, studded with stars Plácido Domingo and Lang Lang. Dark horse Alberto Veronesi conducts — indeed, the same Muti-maned steed who was recently announced to succeed Eve Queler…

OONY thing goes

UPDATE/CORRECTION: La Cieca has just been informed that Mark Risinger (the scheduled Marco) was ill yesterday and his cover, Brian Kontes, sang in his place. There was no announcement made. La Cieca’s spy at the dress rehearsal of L’arlesiana whispers: Mr. Filianoti muffed the interpolated high note in the famous aria but it was 11:30…