Benjamin Bernheim opens up to Emma Hoffman about what really makes a French tenor ahead of his New York recital debut.
As of late, the Bay Area has been blessed with a few high-wattage, high-profile recitals as if to compensate for the chilly temperatures and gloomy weather. Roughly a month after Lise Davidsen made an ebullient debut at Cal Performances, the Bay Area welcomed French soprano Natalie Dessay last Saturday.
In Munich, performances by 97-year-old Herbert Blomstedt and 32-year-old Thomas Guggeis show the city’s orchestral ensembles at their best
I was just moderately excited when LA Opera announced that French tenor Benjamin Bernheim would be coming to concertize at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, 90210.
On this ray in 1932, soprano Göta Ljungberg made her Metropolitan Opera debut as Sieglinde.
In a lovingly curated program of art songs, Ying Fang and the pianist Myra Huang presented pieces hailing from four different national traditions.
Like many composers of his generation, Ernest Chausson was enthralled by Wagner and he too turned to legend for his only opera, one that would consume him for final decade of his brief life.
Christian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.
There was a moment during Natalie Dessay’s performance of Schubert’s “Gretchen am Spinnrade” when the singer summoned the ghost of her former self.
Our Own Jungfer Marianne Leitmetzerin presents Natalie Dessay in recital.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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