Thoughts on La Forza del destino: recordings
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
63 pieces since 2006 — in 8 roles, at 1 company, most often at Metropolitan Opera.
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
Today’s listener has heard the scores of the classic Westerns that borrowed from Puccini (and Wagner!) to create the sound of the myth of the West.
Giacomo Puccini’s La fanciulla del West may have its detractors (Stravinsky referred to it as a “horse-opera’) but you will not find me among them.
Giacomo Puccini’s horse-opera version of “Snow White and the Seven Dwarfs,” La Fanciulla del West, based on David Belasco’s play, The Girl of the Golden West, enjoyed the status of a curate’s egg for quite a while.
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
On this day in 1918 Pietro Mascagni and Giovacchino Forzano’s Lodoletta had its United States premiere at the Metropolitan.
On this day in 1912 Pietro Mascagni‘s Lodoletta had its United States premiere at the Metropolitan with Geraldine Farrar and Enrico Caruso in the leads.
On this day in 1912 Pietro Mascagni’s Lodoletta had its United States premiere at the Metropolitan with Geraldine Farrar and Enrico Caruso in the leading roles.
The wicked poisoner showed herself in fine form, full of purple passion and lusty music-making that would gladden the heart of any bel canto enthusiast or opera lover in general.
Trove Thursday goes mini-epic with Gustave Charpentier’s naturalistic slice-of-life of fin-de-siêcle Paris in a rare 1999 Renée Fleming performance of Louise co-starring Jerry Hadley, Samuel Ramey and Felicity Palmer.
Sonya Yoncheva’s first-ever Princess Romazov was one of this summer’s casualties but Trove Thursday steps up with a rare 1960 in-house pirate of Giordano’s Fedora starring Renata Tebaldi, Giuseppe di Stefano and Tito Gobbi along with a pair of Tebaldi-di Stefano Puccini highlights from the early 1950s.
It was while attending a performance of Fédora in Naples in 1885 that eighteen year-old Umberto Giordano fell in love with Sardou’s then immensely popular play; the protagonist was none other than Sarah Bernhardt, the creator of the title role. He immediately asked the French dramatist to sell him the rights, a request Sardou did […]
Trove Thursday offers a problematic yet fascinating work that would almost certainly not be staged today: Il Guarany by Carlos Gomes featuring João Gibin, Gianna d’Angelo, Piero Cappuccilli and Nicola Zaccaria.
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