Decadent genealogies
Arnold Schoenberg’s Gurrelieder and Giacomo Puccini’s Turandot are, in their different ways, the final decadent flowering of a musical tradition at its twilight.
82 pieces since 2010 — in 18 roles, at 13 companies, most often at Metropolitan Opera.
8 pieces as Turandot — stats above show all coverage for Christine Goerke.
View allArnold Schoenberg’s Gurrelieder and Giacomo Puccini’s Turandot are, in their different ways, the final decadent flowering of a musical tradition at its twilight.
It’s back to business as usual at the Met, for better and for worse.
Turandot finally arrives on Trove Thursday, but it’s the setting by Ferruccio Busoni which predates by a decade the one by that other Italian guy, and it’s paired today with Arlecchino, the composer’s other commedia dell’arte-influenced short opera.
There were plenty of Turan-do’s and only a few Turandon’ts at the Met’s Turandot Sunday afternoon.
How Verdi’s opera might address this particular nightmare was unclear.
Two months after my last visit to this season’s sixteen-performance run of Puccini’s Turandot, I returned eager to witness the latest chapter in the sporadic Met career of Nina Stemme. Rising stars Anita Hartig and Alexander Tsymbalyuk also appeared in their roles for the first time at the Met, so Monday evening turned into a […]
On Thursday evening Jennifer Wilson “finally” made a belated, disappointing Met debut as Turandot.
Would exciting American dramatic soprano Christine Goerke be the next great ice-princess we have been waiting for?
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