Brindley Sherratt

14 pieces since 2011 — in 12 roles, at 7 companies, most often at Metropolitan Opera.

14 pieces
12 roles
7 companies
16 years

Role Arkel

Role Banquo

Crown jewel

I’m a long-time fan of the Opera in English series funded by The Peter Moores Foundation that started, fittingly enough, with conductor Reginald Goodall’s performances of Wagner’s Ring cycle recorded live from the London Coliseum and released by EMI

By 71 comments

Role Bartolo

Role Bottom

Role Cadmus and Somnus

Americans in Paris

Even if our monolingual American tourists can be the source of vexation for many a Parisian, our singers gave much for the city’s operagoers to admire this month in stylish productions of Semele at the Théâtre des Champs-Élysées and I Puritani at the Opéra Bastille.

By 52 comments

Role Cadmus, Somnus

All hell baroque loose

Many American opera-lovers take the “Grand Tour”—a pilgrimage to Europe to attend opera at its great houses—Peter Grimes at the Royal Opera in London or Otello at La Scala in Milan, or perhaps for the more well-heeled a visit to the summer festivals of Glyndebourne, Salzburg or Aix-en-Provence.  

By 31 comments

Role Doctor

The men who rule Ramrod

It’s been eight decades since darling Aix-en-Provence was under attack—its last formal invasion, at least by non-operagoers, was in 1942 during the German occupation of southern France. But on Friday, the town was besieged once again by its annual festival, with two dazzling premieres that examined the cruel and constructive dimensions of war and revolution.

By 13 comments

Role Geronte

Role Geronte di Ravoir

Role John Claggart

Billy’s club

When Winston Churchill was First Sea Lord, the story goes, an indignant admiral accused him of violating British naval tradition, to which Churchill replied that the only traditions of the British Navy were rum, sodomy and the lash.

By 55 comments

Role King Marke

Role Sarastro

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