Aix tremendae, salva me
Festival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
14 pieces since 2011 — in 12 roles, at 7 companies, most often at Metropolitan Opera.
2 pieces as Sarastro — stats above show all coverage for Brindley Sherratt.
View allFestival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
A confession: I have a real love/ hate relationship with Mozart’s Die Zauberflote.
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