Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
A strong revival of Eugene Onegin at the Metropolitan Opera and a recital by Benjamin Bernheim offered the chance to hear “Kuda, kuda” twice in two days.
Opera Philadelphia’s Il viaggio a Reims in a nutshell: Hyperactive, confusing, and distracting from (and sometimes for) the singers? Yes. Imaginative, wildly entertaining, and musically rewarding? Absolutely.
Alma Deutscher’s quest for beautiful music permeates the score of her Cinderella from the hushed opening of the Overture.
West Bay Opera’s sterling production of Verdi’s I due Foscari played over the last two weekends.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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