Kuda, woulda, shoulda
A strong revival of Eugene Onegin at the Metropolitan Opera and a recital by Benjamin Bernheim offered the chance to hear “Kuda, kuda” twice in two days.
5 pieces since 2019 — in 5 roles, at 4 companies, most often at Metropolitan Opera.
A strong revival of Eugene Onegin at the Metropolitan Opera and a recital by Benjamin Bernheim offered the chance to hear “Kuda, kuda” twice in two days.
Opera Philadelphia’s Il viaggio a Reims in a nutshell: Hyperactive, confusing, and distracting from (and sometimes for) the singers? Yes. Imaginative, wildly entertaining, and musically rewarding? Absolutely.
Alma Deutscher’s quest for beautiful music permeates the score of her Cinderella from the hushed opening of the Overture.
West Bay Opera’s sterling production of Verdi’s I due Foscari played over the last two weekends.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
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