Another op’nin’, another show Another op’nin’, another show

Opera San José (OSJ) is continuing the second half of its 41st season with a company premiere of Béla Bartók’s Symbolist opera Bluebeard’s Castle (A kékszakállú herceg vára), with a libretto by his friend and poet Béla Balázs, and OSJ truly spared no effort to make the occasion a memorable one.

Voce di donna o D’Angelo Voce di donna o D’Angelo

Her star is indeed on the rise, but squarely on her terms.

Color me impressed Color me impressed

Bay Area audiences starved for vocal fare during its opera’s winter/spring hiatus recently experienced two exceptional concerts with distinguished singing at the Davies Symphony Hall.

Distinctive and unreservedly commendable Distinctive and unreservedly commendable

My sole live encounter with Seiji Ozawa coincided with his final appearances at the Metropolitan Opera, where he conducted its 2008 revival of Tchaikovsky’s Pikovaya Dama.

Mälkki way Mälkki way

When the New York Philharmonic announced Gustavo Dudamel as its next music director earlier this year, speculation arose immediately as to who would take his place out West when he leaves the Los Angeles Philharmonic in 2026.

Returning to the Living World Returning to the Living World

“I joyfully await the exit—and I hope never to return” were the last words written by the visionary Mexican painter, Magdalena Carmen Frida Kahlo y Calderón (famously known simply as Frida Kahlo), according to her 2002 biography by Hayden Herrera.

Listening to Bernard Haitink Listening to Bernard Haitink

In the month and a half leading to Bernard Haitink’s passing on October 21, my AirPods constantly channeled a musical festival of sorts centered on the Dutch giant’s expansive discography. 

Follow her lead Follow her lead

Barbara Hannigan‘s electrifying performance with the Juilliard Orchestra on Friday night proves that she is as much a force to be reckoned with on the podium as she is onstage.

Humans of old Madrid Humans of old Madrid

Bare Opera, the feisty little company that gave Debussy’s exquisite L’Enfant Prodigue in Chelsea last spring, is now operating in chic, rundown Bushwick where so many original enterprises sprout.

Post-season rag

New York City Opera Education and the Schomberg Center for Research in Black Culture presented an evening of discussion, poetry and music from Scott Joplin’s opera, Treemonisha last night to an overflow crowd.