The real deal
Yusif Eyvazov dominated Friday’s Met premiere of Pikovaya Dama with a fearless, world-class portrayal that instantly transformed the opera into December’s must-see event.
20 pieces since 2012 — in 10 roles, at 6 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for Aleksandrs Antonenko.
View allYusif Eyvazov dominated Friday’s Met premiere of Pikovaya Dama with a fearless, world-class portrayal that instantly transformed the opera into December’s must-see event.
Austin McCormack‘s lascivious choreography outshone a tepid and tedious staging of Saint-Saëns’s old-testament epic.
At tonight’s performance of Aida at the Met, the Triumphal Scene horses suddenly panicked and tried to bolt from the stage. I can’t say I blame them.
Anna Netrebko is the greatest performing artist singing opera today. Nobody else comes close; she makes me love her in a way that verges on the erotic.
“Trove Thursday” gives a preview of Saint-Saëns’s Samson et Dalila with a broadcast featuring an unexpected temptress—Dolora Zajick—who will celebrate the 30th anniversary of her Met debut next month.
Usually the longer I know a work the more I look forward to rediscovering it, but that’s just not the case with the Verdi Requiem.
From the perspective of current identity politics, Puccini’s Turandot is a disaster of epic proportions.
While the celebrity-studded, expensively-dressed audience gathered for the gala opening of the Metropolitan Opera’s 2015-2016 season seemed genuinely enthralled by Monday evening’s performance of Otello, it was more likely swept away by the power of Verdi’s genius than by Bartlett Sher’s puzzling, inert new production.
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