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On this day in 1857 Verdi’s Simon Boccanegra premiered in Venice
It’s not hard not to feel jaded about Romeo and Juliet.
On this day in 1985 Giuseppe Sinopoli made his Metropolitan Opera debut conducting Tosca
Born on this day in 1892 soprano Dame Eva Turner
Yannick Nézet-Séguin conducts Lise Davidsen, Brian Jadge, Judit Kutasi, Igor Golovatenko, Patrick Carfizzi, and Soloman Howard in a live broadcast from New York
Born on this day in 1910 composer Samuel Barber
In an ingenious stroke of double casting, the Met’s new Forza del destino brings back the Marquis of Calatrava—father of the heroine Leonora, unintentionally killed in the opening scene by a bullet from her lover’s pistol—as Padre Guardiano, Father Superior of the monastery that will take her under its protection as a hermit in Act 2.
On this day in 1976 mezzo-soprano Tatiana Troyanos made her Metropolitan Opera debut as Octavian
Grand Tier Grab Bag
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Yannick Nézet-Séguin leads Nadine Sierra, Benjamin Bernheim, Samantha Hankey, Frederick Ballentine, and Will Liverman in a broadcast from New York
Those of us in New York City who relish 17th century Italian vocal music were offered an enticing banquet over the past few weeks.
Happy 60th birthday mezzo-soprano Denyce Graves
Émigré, unfortunately, fails to do justice, either musically or theatrically, to this group of refugees or to the Shanghainese who took them in.
Chris’s Cache previews the Met’s imminent revival of Roméo et Juliette with three pairs of doomed lovers
Happy 39th birthday soprano Pretty Yende
My sole live encounter with Seiji Ozawa coincided with his final appearances at the Metropolitan Opera, where he conducted its 2008 revival of Tchaikovsky’s Pikovaya Dama.
Talk of the Town
A favorite bass performance from William Guanbo Su
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
A favorite bass performance from H_Badger
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
A favorite bass performance from Eli Jacobson
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
A favorite bass performance from La Grunowa
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
A favorite bass performance from Cornelia
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
A favorite bass performance from Bere Wendriner
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
On this day in 1959 Alban Berg‘s Wozzeck had its Metropolitan Opera premiere (in English)
From a musical perspective, the evening came together admirably. As a work of theater, though, it was as stale as last week’s takeout.
Born on this day in 1929 conductor Bernard Haitink
On this day in 1875 Bizet‘s Carmen has its disastrous premiere at the Opéra Comique in Paris
All animals are equal, but some are more equal that others in a live video relay of Alexander Raskatov‘s new opera from Vienna with Gennady Bezzubenkov, Wolfgang Bankl, Michael Gniffke, Andrei Popov, Stefan Astakhov, Karl Laquit, Artem Krutko, and Margaret Plummer and conducted by Alexander Soddy
On this day in 1989 Ken Ludwig‘s play Lend Me A Tenor opened on Broadway
What does it mean to be a “gender transcendent diva?”