Recent Stories
La Cieca has the first top-secret highly classified eyes-only report from inside the hermetically sealed Attila dress rehearsal at the Met. Our spy (possibly pictured above) speaks out — after the jump, naturally.
La Cieca is delighted to hear that the Opéra de Paris and soprano Natalie Dessay just last night performed an hommage to Maria Callas by recreating one of the most famous nights of La Divina’s career. Unfortunately, that “night” was January 2, 1958, and in the intervening half century, opera management still hasn’t learned its…
Rome, June 16, 1800. Emilia sits in the lodge of Palazzo Farnese, of which she is the doorkeeper. She is a resilient, strong-willed and somewhat hardened woman. After all, she has long been in the employ of the Palazzo’s formidable occupant, Baron Scarpia, and witness to so much of his wickedness.
Soprano star of MGM’s golden age Kathryn Grayson died yesterday. The leading lady of Anchors Aweigh, Show Boat and Kiss Me Kate was 88.
“If it appears the Division of Gerontology, Geriatrics and Palliative Care is attempting to commandeer Birmingham opera, there is a reason. ‘It’s because we are,’ says Andrew Duxbury, M.D., professor in the division. ‘We are taking over the opera’.” [UAB Reporter Online]
You know, La Cieca lived through the 1980s, just barely, and then imagine her surprise when, midway through the 2000s, there was a revival of all that 80s stuff — shoulder pads, leggings, big hair, glitter. All of it. Well, no, not quite all of it. There was one trend of the 1980s whose revival…
La Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver.
Christoph Willibald Gluck’s Orphée et Eurydice marked an epic first, a turning point in the history of opera. In this, the first of the composer’s “reform” operas, his intention was to take the opera seria style popular at the time and to boil it down to its purest dramatic elements, creating an opera of “noble…
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
UPDATE! UPDATE! The press release just went out, and Lawrence Brownlee will sing Tonio tonight! La Cieca has just heard that both Diana Damrau and Juan Diego Flórez will cancel tonight’s performance of La Fille du Régiment at the Met. Subbing will be Leah Partridge and Lawrence Brownlee.
Sometime in the late 1950s, the management at Glyndebourne had the good idea to make archival recordings of the performances there, and these recordings, duly remastered and transferred to digital form, are gradually coming before the public through Glyndebourne’s house label. Thus it is that we find ourselves with this early release, a recording of…
When La Cieca’s wrong, she’s wrong. She really had no idea until today that Leontyne Price and Luciano Pavarotti shared the operatic stage any time besides that one-off Aida in San Francisco. But when confronted with proof in the form of an mp3, well, she’s going to be the first to admit her error.
It took the Metropolitan Opera decades to catch up with the rest of the world and finally stage La Cenerentola. Gioachino Rossini’s opera buffa, one of his most beloved and accomplished works, received its belated Met debut in 1997, amidst legitimate suspicions that the new production was less a genuine desire to add a belcanto…
Our Own JJ discusses Maria Callas and her Voice Of Perfect Imperfection with NPR’s Lynn Neary.
Will was the first cher pube to firmly commit to Don Pasquale, and as such he will be counted the winner of our most recent Regie quiz. Special thanks to eckermann, who earned “Le Mot du Jour” for his meticulously detailed (if totally off-base) analysis.
La Cieca and her panel of experts were overwhelmed at the level of sheer lexicological cleverness exhibited by so many of the cher public in our More than words can say competition. Of the many brilliant responses, the judges have managed to choose an overall winner (who will receive the promised gift pack) plus several…
She Who Has More Sobriquets Than Changes of Facial Expression continues her second half-century.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Tildy Diva
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
The Talk of the Town
A favorite Verdi performance from Arrigo
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
The Talk of the Town
A favorite Verdi performance from Peter Russell
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The Talk of the Town
A favorite Verdi performance from TC
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The Talk of the Town
A favorite Verdi performance from Anna Netrebko
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
The Talk of the Town
A favorite Verdi performance from Armerjacquino
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
A brace of profiles in the March issue of Opera News engage the reader in a fascinating game of “the same, but different.” Simon Keenlyside and Paulo Szot are both baritones; both handsome, sexy men; and they’re both adept in classical and more modern musical theater forms. Both gentlemen are starring in new productions at…
It’s that time of week once again, cher public, the Saturday afternoon chat accompanying the Met’s matinee broadcast. The topic of today’s colloquy? Why, it’s La Fille du Régiment beginning at 1:00 PM!
The Mexican soprano is 70 years old today.
I checked back in on the Met’s revival of Ariadne auf Naxos yesterday, after a messy first night one week ago that left much to the imagination. Tenor Lance Ryan had been sick that night, and the cover who took his place was not much healthier, throwing the whole cast into a panic mode that…
UPDATE: A press release has just gone out announcing “The Metropolitan Opera and the English National Opera (ENO) will co-produce a world premiere production of composer Nico Muhly’s first opera.
La Cieca hears that the planned Decca recording of Giulio Cesare, to be based upon live concert performances this week in Paris, has been canceled.
“People approach me now and say things like, ‘We loved your hair last week, but the jacket the week before was even better’.” [Wicked Local Norwell]
This one’s not a quiz, because the concept is so elegantly obvious: Das Rheingold as an episode of Baywatch, with the Nibelung’s anvils replaced by a handier set of percussion instruments.
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.