“Renée Fleming‘s thrilling new album ‘Dark Hope’ (Decca) debuts at #151 today on the Billboard Top 200 chart, with the highest first-week sales of the superstar soprano’s storied career…. The debut follows a performance by Fleming of Muse’s ‘Endlessly’ last week on Good Morning America, and major print and online coverage including two arts cover […]
La Cieca proposes a new weekly competition: she provides the theme, you provide the examples. This week: “Now, that’s how it’s done!”
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
“Even if you’re not going to the concert, you can visit the website www.mariinsky.ru and decide Guleghina’s fate.” These words fraught with doleful moment invite you, the cher public, to play at gods with the repertoire of soprano Maria Guleghina (not pictured).
The Ginger Galli-Curci was born June 18, 1903.
Our Own JJ (not pictured) interviews the legendary Charles Busch and goes on to muse on drag (not in drag, on drag) at the new joint venture Thirteen/Capital.
Zack Woolfe, shirtless, and Seth Colter Walls take the High Line when deconstructing Dark Hope. [The Awl]
Further proof of the endemic menace of casting singers purely for appearance is this photograph of the dewy juvenile leads in Simon Boccanegra promoting tonight’s Channel 13 telecast of the opera.
The good news is that the Met reduced its operating deficit for 2008-2009 to $1.3 million, down from $12.2 million a year earlier. The bad news is the company’s assets fell by $72.6 million (down to $422.7 million) primarily because of investment losses. In other news, the Met paid James Levine a bit more than […]
The Canadian contralto opera artist and recitalist has died. She was 79. [The Globe and Mail]
Idomeneo is one of those operas I always meant to get around to, but never did. Composed in 1780, it’s considered Mozart’s first “mature” opera. If you collect live recordings of significant debuts, this 1964 Glyndebourne Festival live recording might be of interest. So far as I can tell, this may be the first full […]
Next time you feel like rolling your eyes at one of La Cieca’s informal for-entertainment-only polls, put then back in your head and gaze on this silliness.
The music video we have all been waiting for.
Departing Wiener Staatsoper General Director Ioan Holender has signed a two-year agreement to act as consultant to the Met. La Cieca speculates: is he replacing the less than effectual Eva Wagner-Pasquier? [Die Presse]
“Francesca Zambello, the new general and artistic director of the Glimmerglass Opera in Cooperstown, N.Y., has put an immediate stamp on the institution, changing its name to the Glimmerglass Festival and adding a regular piece of musical theater to the agenda…. The musical will be Irving Berlin’s Annie Get Your Gun.” [NYT]
It’s too bad bookmakers don’t offer odds on the casting predicted on Bradley Wilber’s Met Futures Page. Because, if they did, it would be hilarious to see just how long the odds would be against a 2011-2012 “NABUCCO with Maria Guleghina.” Or do you think there is any less likely casting anywhere in the latest […]
A century ago, Mary Garden parlayed an interview with the New York Times on the subject of her bizarre attire into blatant promotion for an upcoming tour date. Miss Garden truly was the Lady Gaga of her day. [The Awl]
Next music director at the Metropolitan Opera? Well, it’s sure not going to be Yannick Nézet-Séguin. [NYT]
La Cieca hears that Opera Orchestra of New York’s 2010-2011 season will represent a step up from last two years of stopgap recitals as well as a step back from the three-opera seasons of yore.
No luck with last week’s Regie quiz, cher public? In fact, nobody guessed the answer, perhaps because La Cieca didn’t include a photo of the title character of the opera. Check after the jump for said photo.
UPDATE: La Cieca is going to call this one for L’elisir d’amore from LOC, though depending on the enthusiasm and whim of the cher public, we may dart over to La donna del lago in midafternoon. Details after the jump.
The tutelary goddess of parterre.com performs a few phrases of La bohème — in 2010.
Take a Wild Ride with a Valkyrie!! Yes, that’s what all the signs say around Old Baghdad-by-the-Bay…. So, fasten your seatbelts, y’all, it’s going to be a bumpy night! As it turned out, Die Walküre was an unexpectedly wonderful ride, marking the debut of someone who could be a very important new Brünnhilde, Nina Stemme. […]
The wealthy suburban community of Greenwich, CT is a place where diamonds are in no short supply. Yet there are still some diamonds of artistic excellence hidden in this seaside town, including the shockingly well-done production of Hans Werner Henze’s The Runaway Slave (El Cimarrón) by the Greenwich Music Festival. This most likely will be […]
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