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As we approach the end of the first all-Peter Gelb season at the Met, there’s already a certain amount of editorial judgment on the General Manager’s “aesthetic agenda.” That’s only fair, of course: judgement is what critics do.
La Cieca has just heard that James Morris and Hei-Kyung Hong have withdrawn from Cincinnati Opera’s upcoming production of Die Meistersinger von Nürnberg, due to “recuperation from surgery” and “family issues,” respectively.
Enthusiastic Met intermission commentator Blythe Danner and her Oscar-winning daughter/blogger Gwyneth Paltrow are on the short list…
“La Ritalina” is 45 today!
Which Brit of medium height has been added to the short list for a prestigious post that (paradoxically) would represent a homecoming?
On Friday, April 16th, American Opera Projects and Opera on Tap presented a triple bill of new works at Galapagos Art Space in DUMBO, including what is essentially a pastiche, a collection of songs, and a one act opera. There were highs, there were lows; there was booze and opera in the same room. I…
Our operatic riddle of the day: what is due to be seen in New York in September, assuming the enormous weight doesn’t rupture another disc?
The American conductor (about whom Wikipedia mildly says “There is some mystery surrounding his early life”) was born in London on April 18, 1882… or perhaps 1887. Or was it Pomerania in 1889?
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Goodnight, Irene
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag
Poetic license
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Grand Tier Grab Bag
Frau Miina-Liisa will es werde Nacht
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Grand Tier Grab Bag
Lux aeterna luceat eis
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag
Kathryn the great
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Grand Tier Grab Bag
Count your blessings
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Even with two weeks to guess, cher public, you were stumped by our most recent Regie quiz. (Hurrah for La Cieca!) However, you did manage to have some interesting conversations along the way, so it wasn’t a total wash.
The American soprano was born April 18, 1948.
The setting is Salzburg, September of 2009. Anna Netrebko and Daniel Barenboim partnered for a recital with lofty aspirations and difficult works mere months after her unfortunate Lucia at the Met. Thanks to the foresight to record this evening, we now have a record of a great night – hopefully a turning point – in…
The Traviata chat will begin at 12:45 beginning in preparation for the 1:00 start time of tonight’s performance.
What could be more exclusive than this? La Cieca offers you a sneak preview of Renée Fleming‘s MTV-style video for “Endlessly!”
Fans of Natalie Dessay (and there are legions of you!) will be overjoyed to hear that, now that the Met’s Hamlet is no longer on the boards, she has completely recovered from whatever it was that was ailing her. The Gallic nightingale is currently gracing the stage of the Wiener Staatsoper in Bellini’s La sonnamubula.…
“Lights are brighter; the elegantly gowned Tosca no longer plops down on a filthy church floor — and police chief Scarpia’s Act 2 hooker four-way stops short of oral action.” [NYP]
“Now, let me think… where did I leave that vocal score?”
Talk of the Town
The Talk of the Town
Patrizia Ciofi should have made it to the Met
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The Talk of the Town
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
The Talk of the Town
Andrée Esposito and Alain Vanzo should have made it to the Met
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
The Talk of the Town
Ebe Stignani and Anita Cerquetti should have made it to the Met
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
The Talk of the Town
Sena Jurinac should have made it to the Met
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
The Talk of the Town
Janet Baker should have made it to the Met
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
It’s safe to say that there has been a lot of talk about Rufus Wainwright’s opera Prima Donna, which received its London premiere this week.
Luc Bondy’s Tosca returned to the Met on Wednesday night with an entirely new set of principals and conductor. The new trio of principal singers, all making local role debuts, could not redirect and redesign the production but they could allow their individual talents to outshine their surroundings.
With all due respect to our charming new commenter Nina Munk, the difference between the Met and the Bavarian State Opera is not something that can be measured in dollars or euros. It’s more about aesthetic sensibility.
La Cieca hears from a reliable source that James Valenti is the 2010 Richard Tucker Award winner.
“Her new cerise dress has been a failure, and makes her look tawdry and wan… She frowns a little — not in anger, but as a brave child frowns when he is trying not to cry. In all that expanse no human eye is looking at her, and she may frown unrebuked…”
The cancellation of Anna Netrebko of her Vienna performances of I puritani — on five days’ notice — inspires La Cieca to introduce an all-new tag relevant to this sort of event.
“The Met’s first production of Rossini’s supernatural opera Armida was supposed to be a showcase for star soprano Renée Fleming…. But by the time the opera ended Monday — four hours after it began — only a few of the less-than-capacity audience were left to applaud. The magic wasn’t there.” [NYP]
La Cieca just heard that Angela Gheorghiu has canceled tonight’s performance of Traviata at the Met. Hei-Kyung Hong goes on.
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