Recent Stories
David Gockley has accepted Elina Garanca‘s withdrawal for “personal reasons” from San Francisco after discovering a “series of European concerts has been recently announced on Ms. Garanca’s website during the Werther performance schedule.” [La Cieca earlier reported this story as Gockley’s giving “the boot” to Garanca, which was not accurate.]
The wait is over, cher public, and your doyenne’s blue-ribbon panel has selected the perkiest procrastinator of the pack, jatm2063 for his account of a delayed encounter with Sylvia Sass. Congratulations, jatm!
Serious “opera singer” Katherine Jenkins says her greatest wish is to sing Carmen or Cherubino at La Scala.
La Cieca (not pictured) has been asked to spread the word that the Opera-L list is down due to the power outages in New Jersey where it is hosted. The latest information is that it is hoped to be up sometime Wednesday. UPDATE: Opera-L is now operational again.
La Cieca is delighted to begin a new series on parterre.com dedicated to the fretting, brooding and dithering of the Wazier of the Worriers, Anthony Tommasini. Our first examples (of many) follow the jump.
Many happy returns to Antonietta Stella, who turned 81 today!
Although she has made headlines on this side of the Atlantic largely because of her recent dismissal by Franco Zeffirelli from a Roman production of La traviata on the grounds of “physical inadequacy,” Daniela Dessì is a topflight star in Europe. In her native Italy she is arguably the most popular soprano currently active. Over…
La Cieca has decided she is going insert the the following line into her official biography (names and pronouns varied as necessary):
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Today’s Met broadcast is The Nose. Our habitual chat begins at 12:30 pm, and the details are after the jump.
… as the saying goes. A German opera singer is accused of murdering her husband Hermann, then hiring a body double to sign over to her his properties, stocks, bonds, cash and life insurance policy. [The Telegraph]
She without whom La Cieca would not cast a shadow, Renée Fleming, has a newly revamped website!
Per the Met’s press office, “Jane Archibald will make her Met debut as Ophélie in the Met’s new production of Thomas’s Hamlet, singing the role on April 5 and 9.”
La Cieca would like to give the cher public a little nudge in the way of a reminder that the procrastination competition will be closed at midnight tonight. So what are you waiting for? (Remember, only comments to the original posting will be considered!)
As La Cieca indicated previously, Francesca Zambello (center) is going to add the notch of General and Artistic Director of Glimmerglass Opera to her already bulging belt. [NYT]
La Cieca is informed that tomorrow’s final dress rehearsal of Hamlet is as closed as closed can be: covers, Met staff and a few handpicked guests of Peter Gelb are the only humans to be allowed in the auditorium as the Thomas is teched. It’s natural enough, since — as we all know — the…
Bravo Monsieur (or Madame) 79CXR for your guess in the most recent Regie quiz. The work depicted is indeed Béatrice et Benedict, in a production for the Opéra Comique directed by Dan Jemmett. The staging, La Cieca regrets to say, was not taken in with pleasure; critiques are headlined everything from “The enterprise overall does…
Talk of the Town
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
Forget all the others. You need to read this review of The Nose. [New York Observer]
If you feel like discussing the Sirius broadcast of Antony and Cleopatra, here’s the place.
New York City Opera has announced its 2010-2011 season, and it looks like La Cieca’s precognitions were about 90% correct. (Please, hold your applause.)
Our Own CruzSF has devised a delightful new pastime, which consists of posing in a parterre box t-shirt “in front of the great and not-so-great opera houses of the world.” First up: the Napa Valley Opera House. That’s after the jump.
La Cieca just received an email from Samuel Ramey confirming, “Yes, the comment is from me. Had no idea it would cause such a discussion.” (Photo: Ken Howard, Metropolitan Opera)
“The Met’s new production of ‘The Nose’ should be a hit with everyone except headline writers. Had the Shostakovich comedy bombed, they’d quip ‘Met blows nose’ or ‘Don’t pick this opera!’ But since this sassy, smart show is the highlight of the current opera season, they’ll have to settle for something like ‘Breath of fresh…
So, who do you think said this? It is unfortunate that for the Met’s first production of ATTILA they could not do a more “conventional” production. The sets and the costumes had nothing to do with the period of the opera or the characters. I know from having been at rehearsals that the director gave…
La Cieca hears that Glimmerglass Opera is about to announce the name of its next General Director. Shockingly, it’s neither an actual Brit nor someone currently associated with NYCO, ya know.
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