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But pressing questions remains: Why? Who is this Figaro for?
On this day in 1838 Berlioz‘s Benvenuto Cellini premiered in Paris
Michael Capasso, General Director of the enfeebled remains of New York City Opera, announces his retirement
Born on this day in 1828 writer Lev Nikolayevich “Leo” Tolstoy
Born on this day in 1841 composer Antonín Dvorak
Brandon Jovanovich, Asmik Grigorian, Roman Burdenko, Boris Pinkhasovich, Violeta Urmana, and Victoria Karkacheva in a performance lead by Aziz Shokhakimov recorded earlier this year in Munich
Happy 59th birthday soprano Angela Gheorghiu
Unlike more surface-level historically informed practice which has become the norm in early music ensembles, this project stands out in its surprisingly deep engagements with the ethical and practical challenges posed by “recreating” Wagner’s sound.
Grand Tier Grab Bag
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
On this day in 1791 Mozart‘s La clemenza di Tito premiered in Prague
Following Gundula Janowitz and Janet Baker, Chris’s Cache sends birthday greetings to another favorite diva—Karita Matilla—with a quartet of broadcasts.
Happy 64th birthday soprano Karita Mattila
Two experimental new works from thingNY explore decadence, quarantine, digestion, and lineage at The Exponential Festival.
Happy 60th birthday bass René Pape
Only by knowing what went on around the great composers is it possible to truly understand why they are great and why their operas have come down to us (and why dozens of other titles have been left behind).
Born on this day in 1910 singer and actress Kitty Carlisle Hart
Michael Anthonio crunches the numbers on San Francisco Opera’s recent seasons and goes straight to the top to General Director Matthew Shilvock for a look at where SF Opera has been and where it’s headed
Talk of the Town
The René Jacobs Giulio Cesare is so overrated
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
The 1946 La traviata is so overrated
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
The 1957 Anna Bolena is so overrated
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
The Solti Ring Cycle is so overrated
It was many decades ago that I first listened to the Solti Ring Cycle.
It was many decades ago that I first listened to the Solti Ring Cycle.
The 1959 Aïda is so overrated
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
The 1973 La bohème is so overrated
The Solti recording of Bohème is completely miscast.
The Solti recording of Bohème is completely miscast.
Born on this day in 1919 dancer Marge Champion
Born on this day in 1935 conductor Seiji Ozawa
Marc Minkowski conducts Benjamin Bernheim, a fourfold Kathryn Lewek, Christian Van Horn, and Kate Lindsey in a live broadcast from the Salzburg Festival
On this day in 1829 Rossini‘s Guillaume Tell premieres in Paris
When the subject of New York City Opera comes up, you always hear the same query: “What happened to City Opera? Are they even performing these days??”
Born on this day in 1922 soprano/mezzo-soprano/opera director Regina Resnik
One of the goals of both Trove Thursday and now Chris’s Cache has been to share pirate recordings of the valuable NYC groups that have presented concert operas over the decades.