L’argent fait stealth attacks

Congratuations to David H. Koch for a lavish profile in The New Yorker celebrating his social success with Kennedys and Trumps and especially his munificence with artistic and cultural organizations including the New York City Opera!  And further kudos to The New Yorker for noting high up in the article that the publicity-shy philanthropist is…

Desert island DVD

This is a performance I never thought I’d see. This 2003 Met performance of Ariadne auf Naxos was filmed, but got tied up in some kind of (legal?) dispute and never televised, and I had long written it off as being tucked away in a vault, doomed to be “the lost telecast.” So it is…

Blood in the water

A DVD of a 2001 Met performance of Berg’s Wozzeck is included in James Levine: Celebrating 40 Years at the Met – DVD Box Set, and it’s easy to see why this performance was chosen. Levine and the Metropolitan Opera Orchestra he has done so much to build and improve are the real stars of…

Funny valentine

This just in from the Met press office: “Andrea Bocelli will make his solo recital debut at the Metropolitan Opera House on Sunday, February 13, 2011 at 5:00 p.m. The performance will feature the celebrated Italian tenor singing a program of arias by Handel, and lieder and art songs by Beethoven, Wagner, Liszt, Richard Strauss,…

The three faces of Renata

To get straight to the point, the main attraction of this DVD is Renata Scotto. The Italian soprano, the first to perform all three heroines of Il trittico at the Met, is simply superb. She has élan in the moments of tension and a powerful, in-depth delivery. There is not a single word in the…

Noch einmal!

Richard Strauss’s brilliantly disturbing Elektra was first performed at the Dresden State Opera in 1909, and arrived in America in 1910 at the Manhattan Opera House.  A second American premiere, this time in the original German, was in Philadelphia in 1931 with – and this will kill you – Nelson Eddy as Orestes. Along with…

Regie est de retour

The end of the summer has been a quiet time for new opera production, but La Cieca realized she’d left you all having on the most recent Regie quiz. Or not hanging so much, actually, because calatrava guessed it: Il barbiere di Siviglia, a production by Claus Guth.  An all-new, insect-free quiz follow the jump.

Christoph Schlingensief 1960-2010

The German filmmaker and theater and opera director died earlier today. Among his works was a controversial production of Parsifal at the Bayreuth Festival beginning in 2004. [AP]

Frankly no worse than mousha item

Which opera company hopes to rise to the occasion of a major tour minus that diva who seems to have lost her way yet again?

Gloomy Saturday

All the cool kids will be watching Die Walküre from Bayreuth tomorrow afternoon. That leaves Betsy Ann Bobolink and the rest of us  sitting by the radio and chatting, chatting.

Two by two

As part of the massive CD/DVD release celebrating the 40th Anniversary of James Levine at the Met, “In Concert at the Met, 1982-83” offers generous excerpts from three memorable Gala Concerts: from February 1982, Troyanos-Domingo-Levine; from March 1982, Price-Horne-Levine; and from January 1983, Domingo-Milnes-Levine. I had the pleasure of being in the house for each…

There will be blood

As perhaps you know, if there’s anyone Norman Lebrecht hates more than opera singers and superstar conductors, it’s artists’ managers. So imagine his glee when he got his mitts on an email “leaked… in the dark of night” detailing “the balance of terror that prevails between a soloist and the person who supposedly has his…

More sodomy than “Cats!”

On the subject of the FringeNYC’s production of The Pig, the Farmer and the Artist, Our Own JJ writes: “Gay stereotypes and penis jokes, with enough sodomy references for an entire season of Oz!” [NY Post]

Frankly no worse than Measha

This live CD of Wagner orchestral excerpts and the Wesendonck Lieder is noteworthy for the conducting of Franz Welser-Most and the truly remarkable playing of The Cleveland Orchestra. I have seldom heard an ensemble sound so beautiful on CD. The strings shimmer like satin, the reeds are clean and clear, the brass warm and burnished with…

Call for reviewers

It’s just a little over a month until “The Season” starts here in New York — though La Cieca hears that there is opera done elsewhere and she hopes someone will keep her up to date on this trend — but, anyway, what with the Season starting and the glittering crowds and shimmering clouds in…

Verklärung

La Cieca hears that the Hildegard Behrens Foundation will be launched today, the first anniversary of the death of the German dramatic soprano. First activities of the group will include bestowing grants on the Metropolitan Opera Lindemann Young Artist Development Program and the YOA Orchestra of the Americas.

In a box, simple pine

So, just as an anchor posting for a return to discussion of Mawrdew Czgowchwz (to resume Wednesday morning), La Cieca offers a little trivia question for the cher public. No prizes for the winner, but your doyenne is sure that sheer competitiveness will inspire you as so often before.

Lady barber makes good

That archetypical Leo, Mae West, was born 117 (or so) years ago today, on August 17, 1893.

Fais pâlir les étoiles!

La Cieca just heard that Stephen Costello goes on tonight (i.e., in just a few hours) in Roméo et Juliette at the Salzburg Festival opposite Anna Netrebko. He’s jumping in for Piotr Beczala, who, if you ask Norman Lebrecht, is probably malingering with a South Seas cutie.

No cure for the common scold

Every time La Cieca says she’s through once and for all reading Norman Lebrecht, that middlebrow minstrel of the maestro myth soars to new heights of noisomeness. This time (yet again) it’s about how utterly callous those silly opera singers are for canceling (imagine!) when they’re too sick to sing.  

Similes of a summer night

Blazing Jupiter, the Jovial Star, my personal magical azimuth, plus Perseid meteors wafting about, burning out as do our souls, as we arrived home from Seattle Opera’s new production of Tristan und Isolde.

Together wherever we go

La Cieca must say that, for a chick, Katharina Wagner sure doesn’t talk much. But perhaps her reticence is something of a blessing, since it prevents her from spouting such facile generalizations as “…’Die Meistersinger,’ Hitler’s favorite Wagner opera.”  

Plain speaking

Martin Bernheimer, who was wise long before most of the rest of us were on solid food, writes what is likely to be remembered as the definitive essay on the Donald Rosenberg/Plain Dealer situation.

The Whales of Chat

Our Own Dear Betsy reports: Right this way, ladies and gentlemen, for The Greatest Show on Earth, the world-famous La Cieca Chat. Feted (“Fated”? “Fetid”?) artistes from the far corners of the planet demolish reputations with a single mot. SEE — dainty Mam’zelle Manou soar high above the heads of the crowd in flights of…