And now Anthony Tommasini has joined the chorus calling for James Levine “to make his next contribution to the company he loves and step aside as music director.” Even the headline of his NYT piece echoes the talk on parterre a fortnight ago.
At long last (or, anyway, a whole year later) La Cieca (pictured) is delighted to announce the event of events here at parterre.com, the 2010-2011 Parterre Cher Public Choice Awards. You, the aforementioned cher public, now have your chance to vote on the best, the worst and the most divalicious events of the season, as […]
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
“The critical reaction to the Robert Lepage’s new production of Die Walküre at the Met leaves this contrarian reviewer in something of a quandary. Not only was pretty much everybody underwhelmed, but there was a consensus about what (they thought) was wrong: the clunkiness of The Machine, the lack of poetry in the latter part of the […]
Heads are about to roll at New York City Opera, probably including George Steel‘s—though given the troupe’s bizarro history for the past few years, who can say? This is in the wake of a letter leaked to the Wall Street Journal from singers and production staff of the embattled company, which includes this chilling statement: […]
Sean Michael Gross, Director of Marketing and Special Projects for 21C Media Group, who is in charge of public and press relations (in North America) for Anna Netrebko, has informed La Cieca that the rumor-magnet diva “‘is not pregnant.”
And now, live from Pittsburgh, one of La Cieca’s newest and nicest friends, Web 2.0’s answer to Louella Parsons, the inimitable Rowna Sutin with her video review of the Met’s production of Die Walküre!
So what does it mean when the owner of Anna Netrebko‘s fan blog says, “An ‘a-priori’ important press conference will be held in Munich on Monday 17. May 2011… We are looking forward to hearing what are the news….”?
La Cieca wishes you happiness today, her 35th birthday. Or, to put it more accurately, the 35th anniversary of the day La Cieca was “born,” hearing Suor Angelica sung by Renata Scotto (not pictured).
The time has come to say “Leb wohl, du kühnes herrliches Publikum,” at least so far as the matter of the regular Saturday afternoon Met chat goes. See you all online at noon on Saturday for Die Walküre?
You, the cher public have voted, and the results are in. Have we chosen the Met’s next Giovanna Seymour? The results were very close indeed!
We’re going to be hearing a lot about pasticcios in the next seven months, as we run up to The Enchanted Island at the Met. We’d better get used to the idea, and what better way to do so than to go hear a home-made pasticcio at far lower prices?
The annual Duke of York’s Picturehouse Eurovision Party, which is apparently a gay institution in Brighton, is pre-empted this year because of demand for tickets for the Met’s HD of Die Walküre. [BBC News] (Voigt photo: Ken Howard/Metropolitan Opera)
Says the Met press office: “Yonghoon Lee will sing the title role in Don Carlo during the Met’s Japan tour, replacing Jonas Kaufmann, who has withdrawn for personal reasons. [Yeah, we knew that, but, wait, there’s another paragraph]…. Ekaterina Gubanova will make her Met role debut as Eboli in the same production, replacing Olga Borodina, […]
La Cieca hears that tenor Yonghoon Lee will sing the title role of Verdi’s Don Carlo during the Met’s tour to Japan, replacing Jonas Kaufmann who will be sick or something. (Photo: Ken Howard / Metropolitan Opera)
Though Margaret Juntwait may have caught him pitifully unprepared, James Levine did say a few words for those lovely people among the Sirius audience last night during the intermission of Ariadne. Those of you who missed this singular event may want to take a peek after the jump.
Tonight’s the final midweek Met chat for a while, cher public, so be sure to attend and enjoy Joyce DiDonato and company in Ariadne auf Naxos, beginning at 8:00 pm.
La Cieca hears that the top spot in Marketing and Communications just opened up today at an opera house that is becoming known for its revolving-door staffing policies.
Which diva hopes for a high six-figure advance for a memoir revealing new details of her “so shameful” addiction? And which divo may already feel remorse over his decision to drop out of the Met’s tour to Japan?
“If, as rumor has it, conductor Fabio Luisi is poised to succeed the ailing James Levine as music director of the Met, Saturday afternoon’s elegant performance of Ariadne auf Naxos showed he’s the right man for the job.” [New York Post]
Now that it’s more or less official that Elina Garanca is dropping out of the Met’s production of Anna Bolena, it’s obviously up to you, the cher public, to decide who should inherit the role. In interest of gathering the broadest range of opinion on this crucial subject, a poll follows the jump.
Latest from that besieged opera company: the CFO and Director of Administration has just resigned to return to the other end of the transverse; meanwhile artistic staff are seeking positions in the on-premises ballet company.
It’s our last regular Saturday afternoon chat of the season today, cher public, during Ariadne auf Naxos from the Met starting at 1:00 pm.
In Robert Carsen’s 2004 production of La traviata for Teatro La Fenice, the Prelude is staged. During this haunting music, we see Violetta lounging on a huge bed while more than a dozen men pay her for her services with wads of oversized dollar bills. By the time Act One begins, the bed is virtually covered […]
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