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UPDATE: La Cieca now has audio evidence of Micaela Carosi‘s dress rehearsal of Aïda. PREVIOUSLY: La Cieca has heard of sweeping changes of cast in important Verdi revivals across the pond: Elisabete Matos has suddenly been dropped from Rome Opera’s Riccardo Muti-helmed Nabucco, with Csilla Boross jumping in as Abigaille.
La Cieca was just sent an announcement about “James Levine: 40 Years at The Metropolitan Opera, an extraordinary insider’s view of the legendary conductor’s Met career, illustrated with vivid historic photographs…. Marking the 40th anniversary of Met Music Director James Levine’s company debut on June 5, 1971, the book celebrates his unparalleled artistic achievements through…
Three Juliettes, three different seasons of the Met’s Roméo et Juliette: Natalie Dessay in 2005, Anna Netrebko in 2007, Hei-Kyung Hong in 2011. At this rate, La Cieca predicts that the role will be performed in the nude sometime around 2025. (Photos: Dessay and Hong by Marty Sohl, Netrebko by Ken Howard.)
Usually the idea of the Regie quiz is: you know the music, but the visuals are unfamiliar. Now let’s try it a different way.
UPDATE: “Alan Held will sing the title role in the revival of Wozzeck for all performances this season, replacing Matthias Goerne, who will undergo knee surgery in April,” says the Met press office. EARLER: La Cieca has been alerted that “wir arme Publikum” should be ready for a major cancellation/casting change announcement from the Met…
“The first installment of Crain’s Business of Arts & Culture series will explore how competition for strong and deep-pocketed trustees has never been steeper as more potential board members are choosing to support fewer organizations. We will also look at how to find new board members, keep them, and use their expertise to help grow…
Our own JJ reflects on a pair of French operas, Roméo et Juliette and L’africaine, neither of which you could exactly call “grand.” [New York Post]
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Poetic license
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Grand Tier Grab Bag
Frau Miina-Liisa will es werde Nacht
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Grand Tier Grab Bag
Lux aeterna luceat eis
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag
Kathryn the great
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Grand Tier Grab Bag
Count your blessings
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
One man’s Junker
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Though semi ramide got there first, kudos as well to Indiana Loiterer III for pinpointing the exact scenes of Rusalka depicted in this Barrie Kosky production for the Komische Oper Berlin—a staging, by the way, that your own doyenne will witness a couple of weeks from now during her Regietournee. After the jump, video of…
La Cieca (pictured, left) invites all the single cher public to join in circa 1:00 pm for a discussion of this afternoon’s absolutely last and final performance of Armida. Ever.
“Renee Fleming and Timothy Jessell arrive for the formal artist’s dinner for the Kennedy Center Honors at the United States Department of State December 4, 2010 in Washington, D.C.” More (circumstantial) proof after the jump.
Mezzo-soprano Isabel Leonard has been named the recipient of the sixth annual Beverly Sills Artist Award for young singers at the Metropolitan Opera. She receives a $50,000 prize and is married to Teddy Tahu Rhodes, which frankly strikes La Cieca as overkill. (Photo: Marty Sohl/Metropolitan Opera)
Which diva—whose recordings, though popular, are sometimes obscure—anticipates becoming a bride as well as a mother? The lady’s beau, we’re told, is a tax attorney in our nation’s capital.
“Margaret, what is it Big Daddy always says when he’s disgusted?” asks the immortal Big Momma in dear Tennessee Williams‘ Cat on a Hot Tin Roof, which Maggie answers, “He says bull when he’s disgusted.” Well, your own Big Momma (i.e., La Cieca has been speaking to a Met insider (pictured) about certain recent headline-grabbing…
La Cieca, who is beginning to feel just the tiniest bit like dear Julian Assange, has been leaked upon yet again. This time she’s been forwarded a message that Peter Gelb sent to the minions of the Met late yesterday afternoon. Naturally your doyenne was certain you, the cher public, would want to read it.
UPDATE: It’s official. EARLIER: La Cieca hears from a generally reliable source that James Levine has resigned from his post as music director of the Boston Symphony Orchestra. Expect an official announcement later today.
Talk of the Town
The Talk of the Town
Andrée Esposito and Alain Vanzo should have made it to the Met
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
The Talk of the Town
Ebe Stignani and Anita Cerquetti should have made it to the Met
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
The Talk of the Town
Sena Jurinac should have made it to the Met
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
The Talk of the Town
Janet Baker should have made it to the Met
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The Talk of the Town
Dorothy Maynor should have made it to the Met
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
The Talk of the Town
Leyla Gencer should have made it to the Met
Leyla Gencer should have made it to the Met
Leyla Gencer had a long European career but never sang at the Met.
Leyla Gencer had a long European career but never sang at the Met.
UPDATE: This just in from the Met press office: “Hei-Kyung Hong will sing the role of Juliette in Roméo et Juliette for performances from March 3 through March 22 this season, replacing Angela Gheorghiu, who is ill. The role of Juliette for the Saturday, March 26 performance is TBA.” EARLIER: Angela Gheorghiu has just announced…
“It’s just that it seems rather perverse to have cast such opulent voices and then given them not much to sing…. the role of Anna Nicole would not stretch Danielle de Niese.” Loyal parterrian Jondrytay (not pictured) looked in on the Royal Opera’s Anna Nicole and shared this thoughts on his blog Not So Wunderbar.
The definitive evidence that the Met was far too wildly optimistic when scheduling Armida.
James Levine has just canceled his remaining engagements for the season with the Boston Symphony, including a tour to Carnegie Hall and the Kennedy Center. The canceled dates run through March 19; Levine’s next performance at the Met is scheduled for March 30. [WBUR]
Which divo—who’s not known for a sizable instrument—has suddenly sported a massive bulge that has onlookers wondering “are you padding your part, or are you just glad to be back at the Met?”
La Cieca realized suddenly yesterday she had two contests to get up to date, so she organized her crack panel of experts (or is that “her panel of crack experts?”) to adjudicate, decide, confer, converse and otherwise hobnob with our brother wizards. The upshot of which is: we have two winners!
The team that made the Met’s 2009 production of From the House of the Dead one of the undisputed highlights of the Peter Gelb era will return five years from now to create a Richard Strauss tragedy. According to Helsingin Sanomat, director Patrice Chéreau and conductor Esa-Pekka Salonen will collaborate on a new production of…
[UPDATE: Now with photos!] Before Opera Boston’s performance of Cardillac at the Majestic Theater on Sunday afternoon, a woman warned the people in her row that she might have to leave early. A man insisted to her that “the last seven minutes” were not to be missed.
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