Back to the “Futures”
The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?) Zachary Woolfe.
The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?) Zachary Woolfe.
La Cieca was cced the following letter sent by a “long-time patron of NYCO” in response to “the recently received Subscription Renewal Brochure.” She has withheld the patron’s name by request.
La Cieca invites the cher public to comment, speculate, complain and natter on any and all off-topic subjects during the week of August 15.
Here’s your discussion thread for this morning/afternoon’s webcast of Lohengrin from Bayreuth, cher public. La Cieca herself is grabbing a bite of lunch and will join you later!
“It’s difficult to push a boulder up a hill, recognizing that we’ll never get there,” says George Steel, adding, “If I have to take tomatoes from here to there, I can live with that.” For a translation of that poetic flight of fancy, La Cieca has resorted to Josephine Baker, after the jump.
La Cieca (not pictured) dons her “early adopter” hat once again as she prepares to watch the live telecast of Lohengrin from the Bayreuth Festival on Sunday. It’s an online pay-per-view event (a ticket is €14.90), though the presenters promise it can alternatively be watched “on demand at a time of your own choice between […]
This just landed in La Cieca’s inbox: “We regret to inform you that Lyric Opera of Chicago season is in peril. Yesterday Lyric advised us that if we do not accept their one year demand for a two week reduction of employment, an elimination of wage parity with the orchestra, and an additional 5.2 % […]
Those of you who feel like an idiot for missing the previous blind item (about how the Met has managed to wriggle out of a contract and say “good day!” to a disastrous co-production) should now spring to attention and clear your minds for a clue about the identity of the director scheduled for his […]
La Cieca just stumbled across this casting call for “puppeteers.”
Musical theater doyen Stephen Sondheim is not amused by plans to “revamp” (or, La Cieca might venture to pun, “devamp”) Porgy and Bess, thus “to transform the classic 1935 opera into a commercial Broadway musical.” La Cieca thinks this controversy will make for a very interesting sidebar in the ongoing Regie debate.
La Cieca hears that parterre fave David Daniels will get all eponymous and stuff for a world premiere opera entitled Oscar, based on the life of Oscar Wilde, for Santa Fe Opera in 2013, with Opera Company of Philadelphia to follow. The work is to boast music by Theodore Morrison and a libretto and stage […]
When sending out CDs to for me to review, our doyenne could not know that I have a fetish for 1950s vintage import LP jackets. I remember combing through the LP bins gazing admiringly at the import disks of a generation of middle-European singers who I was too young to have heard in person, who […]
After 15 years of astoundingly accurate forecasts of future Met seasons, the invaluable resource by Brad Wilber has been, apparently, permanently expunged from the internet. Those of you who, like La Cieca, will cherish the last bits of wisdom from this site may want to download and save this PDF of the most recent cached […]
If you are going to cut something, you cut someone else’s off-topic discussion, not mine!
Our own JJ (not pictured) received a belated birthday present in the form of an excerpt from last night’s concert in Vienna in which Anna Netrebko spreads her wings for a performance of “D’amor sull’ali rosee,” assisted by the luxe Manrico of Jonas Kaufmann.
Santa Fe has done a brave and laudable thing is presenting the first major revival of The Last Savage in decades, and if the libretto were, perhaps, translated into Hindu, the production values, excellence of cast, and directorial choices could conceivably work their magic of, if not pulling a rabbit out of a hat, then […]
That hunch you had was right: that very badly reviewed co-production is no longer on the Met’s future schedule. An American director is taking on what may be a fool’s errand of bringing this classic to the stage.
Scanning this summer’s Mostly Mozart schedule one wondered if New York really needed another Don Giovanni right now? And one with a non-starry cast where the best-known name was the Commendatore, Kristinn Sigmundsson?
Not a fairy kingdom, but rather an unheated postwar Vienna ballroom transformed into an improvised recording studio: that’s the setting for Christof Loy‘s new production of Die Frau Ohne Schatten at Salzburg. The production is also (if not more so) notable for Christian Thielemann‘s virtuouso conducting of the Vienna Philharmonic and the hair-raising performances of […]
Your doyenne and parterre are back from wherever it was they were. Bless you all, cher public!
Entrepreneur, philanthropist, humanitarian and Democrat Agnes Varis died on Friday at her home in Manhattan. Besides her advocacy of prescription-drug reform and financial support of the Jazz Foundation of America, she was a managing director of the Metropolitan Opera, where her projects included the Agnes Varis and Karl Leichtman Rush Tickets Program and the underwriting […]
UPDATE: The answer is: George Manahan is out. FURTHER: La Cieca hears a very reliable rumor indeed that NYCO is in serious negotiations with El Museo del Barrio to relocate the troubled company there. EARLIER: La Cieca’s flawless if rather vague sources inform her that some big news is about to break concerning New York […]
Necrophiliac pedophilia? Or a slow descent into madness? What really happened at Bly? After listening to Glyndebourne’s 2007 Production of Benjamin Britten’s The Turn of the Screw, released in a live recording under the festival’s own label, one is still left in the dark as to what really transpired at that English estate. Perhaps this […]
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.