Recent Stories

Achromatic scale

In honor of Martin Luther King day (belated), the New York Times hosts a discussion about the current Broadway production of The Gershwins’ Porgy and Bess. As a bold gesture toward diversity and inclusion, the keynote speakers range from Anthony Tommasini to Ben Brantley.

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Tales that witness madness

Orlando is the first of three Händel operas based Orlando Furioso, Ariosto’s 15th-century adaptation of the 12-century poem, Chanson de Roland, the other two operas being Alcina and Ariodante. This epic tale of heroism, love, reason and madness also served as the basis for operas by Lully, Vivaldi, Haydn and Scarlatti. In fact, Händel based […]

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Some canción, others can’t

Ah, the “themed” recital disc! Sometimes it’s a special treasure in a collector’s trove showing off the lesser known skills of a beloved performer; more often, an object of mirth and ridicule toward those who’ve been ill-advised or have already committed most of their repertoire in the studio and are now starting in on someone […]

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Zynergy

Not one but two scintillating pieces from zealous, zazzy Zachary Woolfe today: a takedown of The Enchanted Island in the New York Observer, and some musing on life after NYCO in the New York Times.

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Old-fashioned wedding

If the Arthaus Musik release of Le nozze di Figaro from La Scala feels like a slouchy revival pulled haphazardly from the video vault, the singers are certainly not at fault. Ildebrando D’Arcangelo and Diana Damrau, starring as Figaro and Susanna, are bankable stars who live up to the hype. At the podium, Gérard Korsten […]

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Alles Gute zum neuen Regie!

Yet another of the institutions of parterre, the Regie Quiz, seems to have slipped away from us, temporarily at least, with the most recent puzzler over a month ago. And yet, with all that time to ponder, not a single member of the cher public identified the work correctly! It was La Damnation de Faust, […]

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