Fairy-lit
It was dear Oscar Wilde, wasn’t it, who devised that early mot du jour “Good writers borrow; great writers steal”…
It was dear Oscar Wilde, wasn’t it, who devised that early mot du jour “Good writers borrow; great writers steal”…
A phrase no one ever thought to see in print…
Forgive La Cieca’s less-than-avid posting schedule over the last few days, please!
In breaking news today, Margaret Thatcher announces her resignation as British Prime Minister…
Now New York City Opera has given us a “Così Fan Tutte” starring the undead.
Prepare to swoon, cher public, as the Bayerische Staatsopera presents yet another of their hunk-o-rama webcasts, Eugene Onegin, starring Simon Keenlyside and Pavol Breslik.
When Verdi’s Macbeth returned to the Met Thursday night, miscasting doomed the revival as surely as any witch’s curse.
La Cieca hopes her cher public can pull themselves together and enjoy the usual off-topic and general interest comments this week.
Well, if there’s a lesson to be learned from our most recent Regie quiz, cher public, it is this: trust your gut.
The symbolism and themes of suffering and redemption in Parsifal have provided catnip for more than a few oddball stagings filled with Regie excesses.
Apparently, opera fans got the bright side of the bargain: say “Macbeth” in the theater and you court cataclysm; utter the name in the opera house and, as often as not, you merely predict disappointment.
The cher public are reminded that Verdi’s Macbeth will be broadcast and streamed from the Met tonight, and naturally La Casa della Cieca will be open for business.
La Cieca (not pictured) would just like to point out…
The remarkable new/old production of La bohème from Norwegian Opera, directed by Stefan Herheim…
By the end of its 2012-13 season, the Met will have presented four HD transmissions in less than two years featuring countertenors in prominent roles.
When I first watched the DVD Hvorostovsky in Moscow with guest star Sondra Radvanosky, I was absolutely amazed at the superb quality of the singing.
So this is what it looks like when Faye Dunaway teaches Danielle DeNiese to sing “Vieni t’affretta” from Verdi’s Macbeth.
The case for this DVD production of Puccini’s La Boheme from Opera Australia is all about the “inspired concept” of director Gale Edwards to move this oft-told tale from 1840’s Paris all the way to the Berlin at the end of Weimar-era Germany. Hmmm.
Our Own JJ (pictured, center) hopes all the cher public will take full advantage of this week’s thread for off-topic and general interest discussion.
Let’s start with some refreshing news: Poèmes is the finest thing Renée Fleming has recorded in many a season.
“Though Mr. Herheim’s work is rigorous, it is also fun, and this Rusalka is serious but the opposite of dour.”
Which department at the Met must have had quite a shock at this bit of current news: apparently the son also rises!
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