Intermission feature
Here’s your chance to discuss off-topic and general interest subjects and maybe make time for a waltz or two, cher public.
Here’s your chance to discuss off-topic and general interest subjects and maybe make time for a waltz or two, cher public.
“Teddy Tahu Rhodes, who determined in rehearsals that the role was no longer suitable for his voice.”
The announcement of the 2013-2014 season at Lyric Opera of Chicago is not good news at all.
If it’s in the New York Times, it must be true, right?
Director Daniel Moshel (not pictured) who created the YouTube sensation MeTube, sat down recently—and virtually—to chat with La Cieca (also not pictured.)
C-Major continues their full frontal attack on the Verdi catalogue with this release of I Masnadieri which, I’m thrilled to report, does not hail from the Teatro di Regio in Parma like the previous aspirants. We’ve travelled south to Naples and the Teatro di San Carlo and we’re all the better for it as the […]
Something contemporary for the cher public: starting at 2:00 PM on Wednesday, the new Philip Glass opera The Perfect American.
In this clip from an Italian quiz show of the 1950s, Toti dal Monte requires not even a whole phrase to identify the unique voice of Magda Olivero.
La Cieca invites the cher public to take a brief respite from the performance of La Alexander to enjoy this week’s discussion of off-topic and general interest subjects.
Here’s a story in which practically nobody in authority comes off well.
Somewhere around the early 80’s, stage directors realized that the odious theatre practice of “audience involvement” was over.
Giovanni Battista Pergolesi’s best known opera is La Serva Padrona, but the Neapolitan composer also composed several other works, which are now lovingly presented on video by the Fondazione Pergolesi Spontini at Jesi.
La Cieca is delighted to introduce to you, the cher public, our sponsors for the month of February.
A new CD features the ten most gorgeous minutes recorded by a tenor in Wagner since World War II.
Not only cursed to bear a name nearly identical to that of one of the greatest geniuses who ever lived, Leonardo Vinci also had the misfortune to die just three months after the premiere of his greatest opera, reportedly murdered with a cup of poisoned chocolate at the age of 36.
The Pierre Audi production of Guillaume Tell has opened at De Nederlandse Opera.
The Met took a gamble on a new production of Rigoletto Monday night—but, dramatically at least, the show crapped out.
The stage production of Rigoletto contains very brief partial nudity, which will not be shown in the Live in HD transmission of the opera.”
Meet parterre’s new tutelary spirit, tenor August Schram, star of Metube.
Take a breather, cher public, and join in the general interest and off-topic conversation in this week’s intermission feature.
This week on Operavore: “Strong Women of Opera.”
Tenor Vittorio Grigolo, easy on the eyes despite the fright wig, is one of the “Hottest Opera Stars Of 2013.”
You know, information wants to be free and all that.
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