Recent Stories
On this, the occasion of her 37th birthday [see below], La Cieca is happy to repeat the story of how she came to be born (as first told in the pages of parterre box, issue #28.
Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry.
It’s time to vote on the The 2013 Pubie Awards, cher public.
Now the deadline has passed for the Immolation Quiz, La Cieca is happy if a bit puzzled to announce that the result is a tie: two of the cher public were able to identify 23 of the 25 voices in the quiz correctly.
“Never attribute to malice that which can be adequately explained by stupidity.”
A couple of tweets from Thomas Hampson detailing some grisly-sounding future projects.
For your viewing and discussing pleasure tomorrow afternoon, cher public, La Cieca recommends a live webcast of Verdi’s Macbeth from the Bayerische Staatsoper.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
In a press release, the Deutsche Oper am Rhein at Düsseldorf has announced the cancellation of its controversial new production of Tannhäuser.
The score in the Immolation Quiz now stands tied at 23 all, with both leading entries identifying wrongly the same two segments of the quiz.
La Cieca (pictured) is thrilled to announce the debut of a new online book club hosted by Norman Lebrecht of “Slipped Disc” fame.
Just like the pyrotechnics the heroine of The Firework Maker’s Daughter longs to create, this new opera for children is a delightful, low-tech throwback to a time before CGI took over the world.
The next scheduled appearance of the Met’s Ring production has been canceled, as irrevocably as these things can ever be.
The most sensuous sounds at the Met this week come from an opera with nary a love duet.
Our Own JJ did a double header yesterday (you’ll read about in the Post starting Monday) and so La Cieca hardly has the energy left to say, “Discuss, discuss!”
… is Anna Netrebko, performing “Vieni, t’affretta” from Verdi’s Macbeth at tonight’s opening gala at the Mariinsky.
Talk of the Town
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
Leyla Gencer should have made it to the Met
Leyla Gencer had a long European career but never sang at the Met.
Leyla Gencer had a long European career but never sang at the Met.
Elizabeth Bishop will make her Met role debut as Fricka in Saturday evening’s performance of Wagner’s Das Rheingold, replacing Stephanie Blythe, who is ill.
On this lovely first day of May, La Cieca encourages the cher public (pictured) to offer a word of thanks to this month’s sponsors of parterre.com.
The silver-voiced teen star of film musicals of the 1930s and 1940s died earlier this week.
Our Own M. Croche (not pictured, presumably) has an idea to pitch to the Royal Opera’s advertising department.
Those of you who so readily groan, “Oh, dear god, no, not another Carmen! Give it a bleeding rest!” (and you know who you are) may lose that long face, temporarily at least, when you hear the exotic repertoire promised by Gotham Chamber Opera next season.
In Leos Janacek’s The Cunning Little Vixen, the heroine is shot and skinned for her fur.
La Cieca is always delighted when Met stars “cross over” into more popular genres of entertainment.
La Cieca (not pictured) asks, is it just me (it usually is), or does the new trailer for the Royal Opera’s 2013 Summer season feel a little, oh, I don’t know, familiar?
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