Recent Stories
How the quest for a lowered diapason ended with Renata Tebaldi serving as unwitting spokesperson for a libertarian cult.
San Francisco Opera’s marketing leaves La Cieca at least momentarily speechless, so she’ll have to rely on you, cher public, to take up the slack with discussion of off-topic and general interest subjects.
The American contralto, who created the title role in Menotti’s The Medium and introduced the song “I Left My Heart in San Francisco,” died May 18. She was 92.
La Cieca would like to introduce a new feature debunking a popular misconception about some aspect of opera. To kick of the series, let us take into consideration Manon Lescaut’s expedition into the “desert” of Louisiana.
As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.
Some rare midweek chatting fodder turns up this afternoon when the Glyndebourne Festival webcasts Ariadne auf Naxos at 6:55pm BST/1:55pm EDT.
Our JJ’s recent reminiscences over at WQXR about the whopping cost of a Ring recording back in the Mad Men era seemed all the more startling to La Cieca when she took a gander at a “new” live Ring offered by our friends at Opera Depot.
“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Grand Tier Grab Bag
My 600 performance life
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Grand Tier Grab Bag
Life imitates art
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.
We now take you to the Texaco broadcast booth for our weekly discussion of off-topic and general interest subjects.
Here’s a glimpse of the Regie route Anna Netrebko and Placido Domingo will go in November when they make their role debuts in Il trovatore at the Berlin Staatsoper.
Perhaps, you, cher public, will be crying out the above-mentioned phrase when you hear the most recent vocal collage prepared by our dear DeCaffarrelli.
La Cieca doesn’t branch out into The Film very often (even though she is quite the ardent cinephile) but the recent release—or, at any rate, the reaction to the recent release—of Baz Luhrmann‘s film of The Great Gatsby served to crystallize a few ideas bubbling about in your doyenne’s brain.
La Cieca is away, but the regular Saturday chat goes on uninterrupted: this week with archival podcasts of I puritani from 1972 starring Luciano Pavarotti and birthday girl Beverly Sills.
Probably no more than 100 gathered Tuesday in a curtained-off space in the lobby of NYC’s Gershwin Hotel to witness the North American premiere of Rodrigo by operamission.
That most profound and controversial of all operatic composers was born 200 years ago today.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from CKurwenal
A favorite Verdi performance from CKurwenal
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
The Talk of the Town
A favorite Verdi performance from La Grunowa
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
The Talk of the Town
A favorite Verdi performance from Ryan Ellerman
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
The Talk of the Town
A favorite Verdi performance from Marina Rebeka
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
The Talk of the Town
A favorite art song performance from Niel Rishoi
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
The question on everyone’s lips at Carnegie Hall was, “Is Jimmy back in form?”
One startling upset catches the eye among the many winners (if that is the word) of the 2013 Parterre Box Awards.
La Cieca invites the cher public to open up and discuss any off-topic or general interests they might want to get off their chest.
Peter Gelb says the Ring will definitely not return, as originally planned, in 2017, and where has La Cieca heard that before?
For tomorrow afternoon’s chat at La Casa della Cieca, your doyenne offers an unusual double blast from the past.
The Wiener Staatsoper should be a source of some interesting backstage gossip next September as the company presents on alternating nights Angela Gheorghiu as Tosca and Aleksandra Kurzak as Violetta.
For better or worse, Decca’s new Norma recording
will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal.
>Andris Nelsons has been named the new music director of the Boston Symphony.
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