Recent Stories
Falstaff, Verdi’s final opera, is exuberantly inventive, bubbling and roiling with ideas the 79-year-old composer was too impatient to develop.
Which resurgent maestro’s instructions to the musical staff have rung out clear as a bell: “Can’t stand those operas you’ve programmed in my absence, so get them off the future schedule?”
It’s the opening of the Met’s Saturday afternoon broadcast season, cher public, and the first opera in the series is Rigoletto.
Finnish bass-baritone Tom Krause died Thursday. He was 79.
Our Own JJ takes on an old frame (Der Rosenkavalier) and a new (Eugene Onegin) in his latest review for the New York Observer.
Our weekly find from the Mike Richter collection: Le nozze di Figaro from the Bayerische Staatsoper with a geniunely A-list cast.
As the celebrations for the 20th anniversary of parterre box continue, La Cieca (left) introduces a new feature: each week, a vintage issue of parterre box, the queer opera zine, scanned into PDF format for handy download!
Twenty years ago, a sad and lonely gay man sat down with a pair of scissors and a glue stick and said, “I think I’ll make a magazine.”
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Today would have been the 90th birthday of the quintessential prima donna.
“There’s no hiding it. I find some passages of Wagner insufferably tedious.”
As we wait for Tuesday’s festivities, cher public, let’s pass the time with conversation about off-topic and general interest subjects.
I think we’re all aware by now of the wicked libel that the French dramatist Victor Hugo concocted about the fair Lucrezia Borgia with his depiction of her as a murderous virago.
Why Rufus Wainwright is turning a Roman emperor into a cock…
“Nicholas Hytner‘s ENO production of Xerxes, unveiled on the 300th anniversary of Handel’s birth and packed with visual conceits, might be seen as marking the beginning of the modern Handel renaissance on stage.”
Jane Archibald will sing the role of Adele in all 14 performances of the new production of Johann Strauss’s Die Fledermaus at the Met this season.
Talk of the Town
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
Among the many reasons La Cieca has to be thankful: the legacy of Mike Richter on his CD-ROMs.
Ambiguity. That’s the theme of the operas of Benjamin Britten (ennobled as Baron Britten of Aldeburgh).
“She said also her costume would probably be ‘a blaze of jewels,’ patterned after the image of a Madonna she saw in Rome last year…”
Soprano Anna Netrebko and bass-baritone Erwin Schrott have amicably ended their relationship after six years because of their “demanding schedules and the resulting constant time apart.”
What looks to be a very provocative production of Die Frau ohne Schatten (directed by Krzysztof Warlikowski) is the next STAATSOPER.TV presentation from the Bayerische Staatsoper.
It’s that time of year, cher public, when we give thanks for our off-topic and general interest discussions.
Attendees of tomorrow’s parterre meet and greet (pictured) are reminded that Our Own JJ will be available in the Bar Thalia area of Symphony Space beginning at 2:00 for ticket pickup.
Lincoln Center hosted two milestones this week.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.