The Met should revive La Gioconda The Met should revive La Gioconda

It used to be proverbial on the Met Opera Quiz, usually quoted by quiz master Edward Downes: “If you can’t remember where a certain plot event occurs … it happens in La Gioconda.

Girl next door Girl next door

My first introduction to Béla Bartók’s one-act opera Bluebeard’s Castle was the musicologist Susan McClary’s infamous book Feminine Endings. Here, McClary likened her search of a feminist musicology to Judith’s journey through the seven doors; a journey that ends in Judith’s symbolic death.

The Met should revive Maria di Rudenz The Met should revive Maria di Rudenz

I know that there is no chance that Met will ever do this since they have decided to focus on contemporary opera at the expense of reviving older works. Still it has some of Donizetti’s most moving and striking moments. The plot is so over the top gothic that it could still be quite effective.

Paranorma activity Paranorma activity

Following the peek at Asmik Grigorian‘s attempt, parterre box humbly offers an in-house snippet of Federica Lombardi‘s “Casta Diva” from a few blocks over on the Ringstrasse

Americans in Paris Americans in Paris

Even if our monolingual American tourists can be the source of vexation for many a Parisian, our singers gave much for the city’s operagoers to admire this month in stylish productions of Semele at the Théâtre des Champs-Élysées and I Puritani at the Opéra Bastille.

The Met should revive Armide The Met should revive Armide

More action than in Gluck‘s other great works, and plenty of opportunities for scenic spectacle.

Götterdämmerung Götterdämmerung

The conclusion of Romeo Castellucci‘s Pierre Audi‘s Ring cycle live from Brussels

The Met should revive The Fiery Angel The Met should revive The Fiery Angel

It’s time to correct the pandemic’s error in canceling the scheduled 2020-21 production.

Falstaff Falstaff

Leonard Bernstein conducts a performance recorded in New York in 1964

Castor et Pollux Castor et Pollux

Teodor Currentzis conducts Rameau‘s opera in a performance recorded earlier this month in Paris

The Met should revive The Aspern Papers The Met should revive The Aspern Papers

Samuel Barber may have had an edge as melodist over Dominick Argento, but the latter had a far better instinct as dramatist, and his 1988 setting of Henry James’s The Aspern Papers is overdue for a Met premiere. It is a gripping work of musical psychodrama.

Sediziosa voce Sediziosa voce

Ahead of a broadcast in Europe on Arte on Sunday, parterre box has snagged a snippet of Asmik Grigorian‘s eagerly anticipated role debut as Norma in Vienna

Voce di donna o diavolo Voce di donna o diavolo

Larry Wolff continues his musings on Verdi’s varied career, this time over Giovanna d’Arco at the Teatro Regio in Parma

The Met should revive Jonny spielt auf The Met should revive Jonny spielt auf

Jonny spielt auf by Ernst Krenek could be a lot of rollicking fun, especially if a director and design team leaned into creating a 1927 world that acknowledged modernist art movements, silent film acting aesthetics, and the use of historical film footage of nightlife and cityscapes of the time.

Rigoletto Rigoletto

A live broadcast from Florence’s Maggio Musical Fiorentino

An der geliebter ‘ferne’ An der geliebter ‘ferne’

Franz Schreker’s Die Gezeichneten, today’s Talk of the Town candidate for a Met revival, was presented on Trove Thursday four years ago in a broadcast starring Evelyn Lear and Thomas Stewart; so instead today Chris’s Cache offers Der ferne Klang.

The Met should revive Die Gezeichneten The Met should revive Die Gezeichneten

It will never happen, but a girl can dream.

Metropolitan Opera 2025-26 Metropolitan Opera 2025-26

The Metropolitan Opera has revealed its upcoming season.

God grief God grief

Nigel Wilkinson takes on the first installment of the Paris Opera’s new Calixto Bieito-directed Ring Cycle

Eugene Onegin Eugene Onegin

A live broadcast from Milan

The Met should revive Lucrezia Borgia The Met should revive Lucrezia Borgia

Lucrezia Borgia — given only one night more than a century ago. Giustizia per Lucrezia!!!

The Met should revive Maria Stuarda The Met should revive Maria Stuarda

Now that Lisette Oropesa is doing the McVicar co-production of Maria Stuarda in Madrid, can the Met revive it with her?

Of paunches and princes Of paunches and princes

Revivals of Falstaff in Milan and Don Carlo in Naples have Larry Wolff thinking across the six decades of Verdi‘s career

The Met should revive La voix humaine and Erwartung The Met should revive La voix humaine and Erwartung

While I have an entire laundry list of operas (Maria Regina d’Inghilterra, Loreley, La Wally, Sadko, The Snow Maiden, The Golden Cockerel, La Fiamma, and many others) I wish the Met would do – especially after Medea was such a success – I think realistically speaking this double-bill would be lovely for Sondra Radvanovsky at this point.