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“Our patrons are also our investors, and because many of our core subscribers are also our most generous philanthropists, we need to make sure that our programming jives with their expectations, what they’d like to see onstage.”
While the celebrity-studded, expensively-dressed audience gathered for the gala opening of the Metropolitan Opera’s 2015-2016 season seemed genuinely enthralled by Monday evening’s performance of Otello, it was more likely swept away by the power of Verdi’s genius than by Bartlett Sher’s puzzling, inert new production.
On this day in 1964 Fiddler on the Roof opened at the Imperial Theater in New York City, to run for 3,242 performances.
The results are in for the 2015 fall season poll, and now La Cieca will know where to find the cher public, including some rather out-of-the-way places.
Along with Don Giovanni, Carmen is an odd bird on the list of the most beloved and frequently performed works.
There is a simple elegance to the single-composer recital album format. For the listener in the mood for, say, Puccini, it’s a chance to delve into his music without any pesky interruptions by those other guys like Verdi or Massenet. And if one is also in the mood for a particular singer’s art, then the…
For those of you who can’t make it to the Met’s opening night, I am happy to provide you the opportunity to experience another Otello with a cast that was unmatchable for 1981.
On this day in 1948 Texaco Star Theater with Milton Berle premiered on NBC.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
“Hailed ‘the Meryl Streep of opera’…” begins one sentence of a promotional piece for a Diana Damrau recording of another opera, reproduced on the soprano’s website.
On this day in 1833 Charles Darwin rode a horse to Buenos Aires.
La Cieca is pleased as can be to announce that our friends at Opera Depot (not pictured) are offering a whopping 60% off on all German opera recordings all week long.
On this day in 1928 Mickey Mouse made his screen debut in Steamboat Willie, a film that will enter the public domain on January 1, 2024.
The breaking news from San Francisco Opera is that Nadine Sierra will sing the title role of in a new production of Lucia di Lammermoor, replacing Diana Damrau, who will not.
Anna, Bart and Peter talk about the Met’s new season with the always engaging Michael Cooper of the New York Times.
Paleo? LAP-BAND? Food poisoning?
How this slipped under La Cieca’s radar she’ll never know: the premiere of a new opera based on the Tintin adventure Les Bijoux de la Castafiore.
Talk of the Town
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
A favorite art song performance from Arrigo
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
A favorite art song performance from Belfagor
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
A favorite art song performance from Rowna Sutin
With youthful abandon, Ms. Feola interprets an old chestnut.
With youthful abandon, Ms. Feola interprets an old chestnut.
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
“I have ideas about Zerlina.”
On this day in 1809 the second Theatre Royal, Covent Garden (designed by Robert Smirke) opened with a performance of Macbeth followed by a musical entertainment called The Quaker.
Sills at the peak of her powers and Handel’s 1743 secular oratorio make a perfect match.
Read and heed!
On this day in 1964 Bewitched premiered on ABC.
Naming rights, Sunday performances, an extension of the Met’s lobby forward into Lincoln Center Plaza . . . Peter Gelb puts all that and more on the table.
Emue aux larmes, la diva lui a donné son consentement.
On this day in 1977, Maria Callas left this world. Do you remember where you were?
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