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On this day in 1894 Massenet’s Thaïs premiered in Paris.
Sunday afternoon at Carnegie Hall two remarkable slices of soprano-heaven were served up, first by Carolyn Sampson and then by Erin Morley, during the second act of Handel’s Orlando.
On this day in 1956 Lerner and Lowe’s My Fair Lady opened on Broadway.
An astute double-feature exposes all the complexities of female suffering embedded within two canonical works.
It’s time for celebrations!
Without fail, all nine finalists had nice clear ringing voices. Whether they develop into great artists is another question.
On this day in 1885 W S Gilbert and Arthur Sullivan’s The Mikado premiered in London.
On this day in 1797 Luigi Cherubini’s Medée premiered in Paris.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Welcome, cher public, to the real-time chat for this afternoon’s Met performance of Don Pasquale, starting at 1:00 PM ET.
On this day iconic countertenor David Daniels (not pictured) turns 50!
Opera Orchestra of New York (remember them?) will present Gaetano Donizetti’s Parisina D’este.
After two previous productions of Tosca in New York City this season (the Met’s revival of the controversial Luc Bondy version and NYCO Renaissance’s depressingly retrograde take), New Yorkers finally got a pleasing, if rough-edged, performance of the Puccini classic from LoftOpera.
As portrayed by Vittorio Grigolo, Nemorino was a manic self-absorbed, probably bipolar, stalker who—against all odds and good sense—gets the poor girl.
If I were Renée Fleming, I, too, would indulge myself.
On this day in 1851 Verdi’s Rigoletto premiered in Venice.
Here’s where the parterriani may gather to discuss tonight’s season premiere of L’elisir d’amore, as livestreamed beginning at 7:25 PM.
Talk of the Town
Herbert von Karajan was a great opera conductor
He has conducted some of my favorite opera recordings.
He has conducted some of my favorite opera recordings.
Ernest Ansermet was a great opera conductor
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
Yannick Nézet-Séguin is a great opera conductor
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
The wonderful Spanish mezzo Teresa Berganza celebrates her 81st birthday next week and “Trove Thursday” gets the party started.
Born on this day in 1903 American author, politician, and US Ambassador Clare Boothe Luce.
Capriccio was a great pleasure on Friday night, March 4. This was a co-production of Opera Philadelphia and The Curtis Institute, presented in the intimate Pearlman Theater at the Kimmel Center.
On this day across opera history, four major works premiered.
Born on this day in 1910 actress Claire Trevor.
These days a cadre of voluble opera-goers regularly issues dire warnings that anyone about to attend this or that production at the Met should close her eyes and just listen rather than witness yet another Peter Gelb regie “atrocity.”
Here’s our beloved Juan Diego Flórez last week, continuing his voyage into heavier repertoire as the titular love-sick teenager in Gounod’s Roméo et Juliette.
On this day in 1824 Giacomo Meyerbeer’s opera Il Crociato in Egitto premiered in Venice.
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