Devil’s advocate
Just 85 years ago, four of Italy’s greatest opera stars gathered at Teatro all Scala for an historic event: the first-ever recording of Arrigo Boito’s sole complete opera, Mefistofele.
Just 85 years ago, four of Italy’s greatest opera stars gathered at Teatro all Scala for an historic event: the first-ever recording of Arrigo Boito’s sole complete opera, Mefistofele.
La Cieca has been informed LoftOpera is relocating its next production, Così fan tutte—opening on September 16, with performances until September 25—to 101 Varick Avenue, a massive warehouse space in East Williamsburg.
On this day in 1910 the premiere performance of Gustav Mahler‘s Symphony No. 8 in Munich featured a chorus of 852 singers and an orchestra of 171 players.
On this day in 1850 “Swedish Nightingale” Jenny Lind gave her first United States concert.
David Lang is, per The New Yorker, a “postminimalist enfant terrible.”
You may wonder what Rachmaninoff’s Aleko and Leoncavallo’s Pagliacci have in common.
On this day in 1868 Bizet’s Les Pêcheurs de perles premiered in Paris.
With the performance of Dessì we move onto a different plane than the other singers.
Born on this day in 1828 writer Lev Nikolayevich “Leo” Tolstoy.
Born on this day in 1932 singer Patsy Cline.
The dramatic tenor died this morning in Vienna.
Happy birthday critic and lecturer Mark Berry.
Among the highlights were concert performances of Jules Massenet’s Thaïs and Otto Nicolai’s Il templario.
Happy Labor/Labour Day US and Canadian Paterrians!
The widely-acclaimed Aix-en-Provence production of Pelléas et Mélisande, broadcast at 1:00 PM on CBC-TWO, is the subject of this afternoon’s discussion at La Casa della Cieca.
On this day in 1967 the TV game show What’s My Line? broadcast its final episode, after a 17 year run on CBS.
Happy 97th birthday dancer and choreographer Marge Champion.
“Trove Thursday” instead presents a rare Cavalli opera, Il Xerse, from 1665, featuring the lovely Swedish mezzo Kristina Hammarström in the title role.
Born on this day in 1751 dramatist Emanuel Schikaneder.
“Part cabaret confessional, part homage to the Great American Songbook…”
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