An der geliebter ‘ferne’ An der geliebter ‘ferne’

Franz Schreker’s Die Gezeichneten, today’s Talk of the Town candidate for a Met revival, was presented on Trove Thursday four years ago in a broadcast starring Evelyn Lear and Thomas Stewart; so instead today Chris’s Cache offers Der ferne Klang.

The Met should revive Die Gezeichneten The Met should revive Die Gezeichneten

It will never happen, but a girl can dream.

Metropolitan Opera 2025-26 Metropolitan Opera 2025-26

The Metropolitan Opera has revealed its upcoming season.

God grief God grief

Nigel Wilkinson takes on the first installment of the Paris Opera’s new Calixto Bieito-directed Ring Cycle

Eugene Onegin Eugene Onegin

A live broadcast from Milan

The Met should revive Lucrezia Borgia The Met should revive Lucrezia Borgia

Lucrezia Borgia — given only one night more than a century ago. Giustizia per Lucrezia!!!

The Met should revive Maria Stuarda The Met should revive Maria Stuarda

Now that Lisette Oropesa is doing the McVicar co-production of Maria Stuarda in Madrid, can the Met revive it with her?

Of paunches and princes Of paunches and princes

Revivals of Falstaff in Milan and Don Carlo in Naples have Larry Wolff thinking across the six decades of Verdi‘s career

The Met should revive La voix humaine and Erwartung The Met should revive La voix humaine and Erwartung

While I have an entire laundry list of operas (Maria Regina d’Inghilterra, Loreley, La Wally, Sadko, The Snow Maiden, The Golden Cockerel, La Fiamma, and many others) I wish the Met would do – especially after Medea was such a success – I think realistically speaking this double-bill would be lovely for Sondra Radvanovsky at this point.

Lucrezia Borgia Lucrezia Borgia

A live opening night broadcast from Rome.

The Met should revive The Nose The Met should revive The Nose

William Kentridge‘s production of The Nose. I think it’s his strongest production for the Met, the piece is a masterpiece and this is a time for absurdity. Bring in Maestro Keri-Lynn Wilson who did such an outstanding job with Mtsensk.

Orpheus and Eurydice Orpheus and Eurydice

A live streaming performance from The Dallas Opera.

Ariadne auf Naxos Ariadne auf Naxos

Jessye Norman sings the title role of a performance recorded in New York in 1985

Le maschere Le maschere

A rare performance of Mascagni’s opera recorded at the Wexford Festival last fall.

The Met should revive Akhnaten The Met should revive Akhnaten

Both a brilliant composition and an outstanding production

Sung and spoken tragedy Sung and spoken tragedy

The return of Cherubini‘s Medée to the Opéra Comique may be a homecoming, but Nigel Wilkinson almost went home at intermission.

The Met should revive its “Parade” triple bill The Met should revive its “Parade” triple bill

John Dexter and David Hockney‘s French triple bill of Poulenc‘s Les mamelles de Tirésias, Satie‘s Parade, and Ravel‘s L’enfant et les sortilèges, last seen in 2002. This clip is from Barcelona but you can enjoy Gabriel Bermúdez nonetheless.

Back to the island Back to the island

Annapolis Opera presented a celebration of Leonard Bernstein’s reflections on love, relationships, and marriage, pairing a fully staged production of Trouble in Tahiti with a collection of songs from other Bernstein compositions.

The Met should revive Saint-François d’Assise The Met should revive Saint-François d’Assise

The Met was built for Saint-François d’Assise. It is a huge work, and it needs a huge space. And Ingo Metzmacher.

The twilight saga The twilight saga

Chris’s Cache offers ten more sopranos singing Strauss‘s Vier letzte Lieder: Sena Jurinac, Gundula Janowitz, Jessye Norman, Roberta Alexander, Edith Mathis, Helen Donath, Malin Byström, Christiane Karg, Jacquelyn Wagner, and Corinne Winters. 

The Met should revive María de Buenos Aires The Met should revive María de Buenos Aires

Because we have no shortage of mezzos that would be great in this rep

Kiss me beneath the milky twilight Kiss me beneath the milky twilight

Only disordered and volcanic intellects need apply for this beautifully deranged production of Salome from Heartbeat Opera

La voix humaine La voix humaine

Danielle de Niese can’t get off the phone in a performance recorded in Wales last month

The Met should revive Parsifal The Met should revive Parsifal

In François Girard‘s production.