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Opera San José (OSJ) concluded its eclectic 41st Season with another first, Héctor Armienta’s Zorro, which received its Northern California premiere at the California Theatre on Friday, April 19th.
Breaking the Waves and Tannhaüser at Houston Grand Opera are a can’t-miss doubleheader of sex and miracles.
This early performance of Anna Bolena’s final scene is just one of the most poised and magical pieces of bel canto singing I’ve ever heard. It must have been extraordinary to hear her at the outset of her career.
parterre box is very sad to learn of the passing of beloved writer Patrick Mack in Los Angeles yesterday.
The long-awaited Broadway musical adaptation of the NBC series Smash is “not Bombshell – it’s just a bomb,” according to David Fox and Cameron Kelsall.
Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series
Pavarotti in his prime – He makes this so-familiar aria new and glowing.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Grand Tier Grab Bag
Grand Tier Grab Bag
Tra voi belle
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Grand Tier Grab Bag
León in winter
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Grand Tier Grab Bag
Assai più vale il soglio
che un genitor perduto
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Grand Tier Grab Bag
Women’s liberation
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Grand Tier Grab Bag
Ash and you shall receive
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Grand Tier Grab Bag
When her ship comes in
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
A live broadcast from Milan of the world premiere of Francesco Filidei’s opera based on Umberto Eco‘s novel
Sigh! I think most of you realized I would pick this one. Got that “Donizetti and Bellini Heroines” from the Record Club of America when I was in my teens and playing it to death.
A live broadcast from New York
A performance recorded earlier this month at the Salzburg Easter Festival.
This to me is everything that makes Donizetti the great dramatist of the bel canto era.
A feast of whimsy for the recently resurrected in Aaron Siegel’s new opera, Rainbird
When a revival of Handel‘s Ariodante in Boston coincides with the HD relay of the Met’s current revival of Le nozze di Figaro, parterre box can’t help but share a bit of Olga Kulchynska, the Met’s Susanna, singing the florid “Volate amori.”
The brave and beautiful Maartje Offers – best known from the potted Ring – lends her charismatic voice to Donizetti here.
Talk of the Town
The Talk of the Town
The René Jacobs Giulio Cesare is so overrated
The René Jacobs Giulio Cesare is so overrated
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
The Talk of the Town
The 1946 La traviata is so overrated
The 1946 La traviata is so overrated
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
The Talk of the Town
The 1957 Anna Bolena is so overrated
The 1957 Anna Bolena is so overrated
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
The Talk of the Town
The Solti Ring Cycle is so overrated
The Solti Ring Cycle is so overrated
It was many decades ago that I first listened to the Solti Ring Cycle.
It was many decades ago that I first listened to the Solti Ring Cycle.
The Talk of the Town
The 1959 Aïda is so overrated
The 1959 Aïda is so overrated
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
The Talk of the Town
The 1973 La bohème is so overrated
The 1973 La bohème is so overrated
The Solti recording of Bohème is completely miscast.
The Solti recording of Bohème is completely miscast.
Chris’s Cache highlights the erstwhile Chicago Symphony Orchestra @ Carnegie series with not one but two starry operas conducted by Georg Solti: Salome with Birgit Nilsson and a performance of Moses und Aron
Maybe this is an obvious choice, but this is the sort of performance that every opera queen dreams of attending: an unknown work being performed by a cast of largely unknown singers.
“Strauss makes me feel loved and like I am part of a world that is supernatural and extremely special,” says Elza van den Heever, the Met’s upcoming Salome, in a new feature at the Observer by parterre‘s very own Christopher Corwin.
A live broadcast from New York
Corinne Winters dons the habit in a live broadcast of a unique double bill from Rome
Félix Fourdrain‘s “féerie” Les Contes de Perrault by the Frivolités Parisiennes is as fun for adults as it is for children
Donizetti’s never been a desert island composer of mine, but he comes close when I hear Edita Gruberova in her prime.
By the time the curtain rose on Verdi’s Luisa Miller last Sunday in Washington Concert Opera’s final show of the season, the originally announced line-up was about as accurate as a federal agency org chart from February.