Irresistible
On this day in 1965 soprano Mirella Freni and tenor Gianni Raimondi made their Metropolitan Opera debuts in La bohème.
On this day in 1965 soprano Mirella Freni and tenor Gianni Raimondi made their Metropolitan Opera debuts in La bohème.
La Cieca has just heard that Kristian Benedikt is singing the role of Samson at the Met this evening.
On this day in 1968 tenor Placido Domingo made his Metropolitan Opera debut as Maurizio.
“Trove Thursday” features a great composer who had little success on the stage—Franz Schubert.
Hunger was the note of the night, a sentiment shared between the audience and Proving Up, a lean and hungry one-act telling a story of drought and desperation on the post-Civil War Western frontier.
Anna Netrebko is the greatest performing artist singing opera today. Nobody else comes close; she makes me love her in a way that verges on the erotic.
Happy 61st birthday opera director Peter Sellars.
How Glucky can you get?
I braved the alarming and majestically colorful wall-graffiti-art of Bushwick to attend Bullfight Boylesque, which runs to October 28.
On Tuesday we got one of the Met’s inveterate classics, which meant yet another opportunity to gaze upon the old accessories: Donkey cart! Teal shawl! Fugly plaid slacks!
Born on this day in 1898 composer George Gershwin.
For opening night 2018, the Met offered the creaky but appealing biblical epic Samson et Dalila, presumably as a vehicle for Elina Garanca and Roberto Alagna.
On this day in 1985 baritone Giuseppe Taddei made his belated Metropolitan Opera debut as Falstaff.
Where will the elite meet? Why, at the Met for the opening night premiere of Samson et Dalila, of course!
What do the cher public want to hear this fall? According to last week’s polls, Samson et Dalila and Jonas Kaufmann.
Odyssey Opera in Boston, which loves to open its season with a concert performance of some forgotten work, gave La Reine de Saba in Jordan Hall Saturday night.
Imagine you are at Disneyland, and there’s an Anthony Roth Costanzo ride.
For opening night of the new LA Opera season Placido Domingo decided to return to one of his best Verdi showcases, Don Carlo, only this time as the baritone, Rodrigo the Marquis di Posa, instead of the title character.
Those who want a rethought Lucia to allow the heroine more sense of agency will be especially confounded at Laurent Pelly’s reading.
Born on this day Cornell MacNeil and Ettore Bastianini (both in 1922) and Pablo Elvira (in 1938).
This Sony Classical set of live performances covers a golden quarter century in the singing and staging of Wagner. Birgit Nilsson shared it with many other legends, and many of them appear on these discs.
Soprano Patricia Racette is superb in La Voix Humaine, a work that she makes absolutely her own.
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