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As far as prewar Italian verismo goes, L’amore dei tre re is a supernova.
Why, only now, Cendrillon is having its premiere at the Met is a puzzling question.
A heady audience paid top price to pack Carnegie Hall Thursday for just 80 minutes of unstaged Wagner.
Born on this day: four divas and counting!
After an early Saturday shift bar-backing at Aura Bar, Evan had trotted over to his friend Jesús Halévy’s for a late-night slumber party à deux.
“Trove Thursday” offers one of Rameau’s rarest full-length works, Acante et Céphise featuring The English Concert conducted by Trevor Pinnock.
Born on this day in 1898 soprano Lily Pons. Happy 85th birthday soprano Montserrat Caballé and happy 70th birthday soprano Mariella Devia!
Yusif Eyvazov will sing the role of Cavaradossi in the first four performances of the spring run of Puccini’s Tosca, replacing Marcelo Álvarez.
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
If one looks at trends in the last 40 or so years, the most successful Normas are mainly those who’ve made not just bel canto, but Bellini as a mainstay in their repertoire.
On this day in 1975 soprano Katia Ricciarelli made her Met debut as Mimi.
Edita Gruberova takes on the requirements of the title role in Bellini’s Norma.
On this day in 1996 tenor Roberto Alagna made his Met debut as Rodolfo.
The unheard-of horror of a lack of unanimous approbation for a British composer’s work led to an appalling lack of civility on Twitter over the weekend.
The Richard Tucker Music Foundation announced today that Christian Van Horn has been named as the winner of the 2018 Richard Tucker Award.
On this day in 1992 soprano Deborah Polaski made her Met debut as Kundry.
This revival of Phyllida Lloyd’s 2002 Macbeth production was probably the most anticipated event of the Royal Opera House 2017/2018 season, due mostly to Anna Netrebko’s return to Covent Garden after a three-year absence.
Talk of the Town
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
A favorite art song performance from Emma Hoffman
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Two favorite art song performances from Julia Bullock
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
Mesmerizing Michael Fabiano stars,
Tenor Franco Corelli was born on this day in 1921, the 45th anniversary of the premiere of Ponchelli’s La Gioconda in Milan.
Act Two of Wagner’s music drama with the Boston Symphony.
Speaking of grand opera (and La Cieca is sure the cher public will!), today’s matinee broadcast begins at 12:30 PM.
Charles Busch‘s The Confession of Lily Dare bundles up a long weekend’s worth of TCM “pre-code fallen woman” tropes into a neatly hilarious 90 minute package.
On this day in 1975 soprano Beverly Sills made her official Metropolitan Opera debut as Pamira in L’assedio di Corinto.
Writing an opera for kids based on Neil Gaiman‘s successful children’s novel Coraline must have been a double challenge for Rory Mullarkey and Mark-Anthony Turnage.