The Comet/Poppea The Comet/Poppea

Yuval Sharon and the American Modern Opera Company meld Monteverdi and George Lewis in a live performance from Lincoln Center

This summer I’m reading <em>The Divas</em> by Robert Merrill This summer I’m reading <em>The Divas</em> by Robert Merrill

A juicy, guilty pleasure read!

Drama therapy Drama therapy

Carmen in Brussels is dramatically vibrant, if vocally stretched

Sea no evil Sea no evil

A muted production challenges a talented cast in San Francisco Opera’s Idomeneo

This summer I’m reading <em>Verdi: A novel of the opera</em> This summer I’m reading <em>Verdi: A novel of the opera</em>

According to the memoirs of Alma Mahler, her third husband, Franz Werfel used to wander around the cafés of Paris with one of his chums, singing arias from obscure Verdi operas at the top of their lungs until the management would ask them to move on.

Dream girl Dream girl

Chris’s Cache offers an early 80th birthday salute to Jessye Norman with broadcasts of Elgar’s The Dream of Gerontius, and Schoenberg’s Gurrelieder plus a pair of opera arias by Verdi and Mascagni from a 1979 Atlanta Symphony concert with Robert Shaw.

This summer I’m reading <em>Cavalleria rusticana</em> This summer I’m reading <em>Cavalleria rusticana</em>

Giovanni Verga‘s short story (which he adapted as a play with Giuseppe Giacosa) provides the basis for Mascagni‘s famous opera.

Charm city offensive Charm city offensive

A starry concert Aïda in Baltimore proves unusually polished

The head on the cake plate The head on the cake plate

John Yohalem reports on Catapult Opera’s satiating San Giovanni Battista

Der Rosenkavalier Der Rosenkavalier

A live video broadcast from Vienna

This summer I’m reading <em>Wagnerism</em> This summer I’m reading <em>Wagnerism</em>

Alex Ross wrote an exciting, gorgeously detailed examination of, for better or worse, Ricky’s far reaching influence on music, theatre, architecture, film, literature, mental illness, Satanism, Homosexuality, and rough sex.

Do you believe in life after opera? Do you believe in life after opera?

Opera Director and Detroit Opera Artistic Director Yuval Sharon begins his recent book A New Philosophy of Opera by imagining a future – some forty to fifty years from now – in which opera ceases to exist as an art form.

This summer I’m reading <em>Galina: A Russian Story</em> This summer I’m reading <em>Galina: A Russian Story</em>

Vishnevskaya writes rather as she sings.

Die Walküre Die Walküre

Antonio Pappano leads a performance recorded in London last month

Il trittico Il trittico

Asmik Grigorian pulls a hat trick in Puccini‘s triple bill recorded (and reviewed) last month in Paris

This summer I’m reading <em>Fellow Travelers</em> This summer I’m reading <em>Fellow Travelers</em>

With tenth anniversary productions of Fellow Travelers, the heart wrenching gay romance opera by composer Gregory Spears and librettist Greg Pierce, due to grace several major U.S. companies next season, what better way to commemorate Pride Month than by reading Thomas Mallon’s 2007 historical novel on which it’s based?

Semele Semele

Handel‘s scintillating oratorio in a live video broadcast from Atlanta Opera

Dear in headlights Dear in headlights

Two women singing an operatic love duet is virtually an everyday occurrence, but two men? Not so much.

This summer I’m reading <em>The Operas of Verdi</em> This summer I’m reading <em>The Operas of Verdi</em>

Julian Budden‘s masterful, three-volume analysis of the entire Verdi oeuvre is fascinating reading.

Married to the mob Married to the mob

Contrasting approaches to Regie duke it out in Cavalleria rusticana & Pagliacci and Rusalka in Munich

Those in glass houses Those in glass houses

Krzysztof Warlikowski‘s Der Rosenkavalier at the Théâtre des Champs Elysées surpasses even Nigel Wilkinson‘s high ‘WTF threshhold’

This summer I’m reading <em>Divas and Scholars</em> This summer I’m reading <em>Divas and Scholars</em>

Although presented as an overview of the performance of Italian opera from the first half of the 19th century, Divas and Scholars is really an impassioned defense of musicology as a discipline and of Italian opera as a subject worthy of scholarly attention.

Faust or famine Faust or famine

In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele

You can go your own way You can go your own way

Eli Jacobson on a luscious evening of early Strauss with Guntram at Carnegie Hall